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...plumage was vivid and vulgar-a sport shirt with a palm-leaf motif, sometimes a tie with a bulb-breasted nude. His Stetson sat squarely on top of his head, a cigar grew out of the right corner of his mouth, and he glinted at the world through rimless, hexagonal glasses. Readers of Lord Beaverbrook's Daily Express could spot him at a glance: he was "the loud American." For the past nine years he has swaggered regularly through the frontpage, one-column panel drawn by one of England's most popular cartoonists: urbane, grandly mustached Osbert Lancaster...

Author: /time Magazine | Title: The Press: The Quiet American | 5/5/1958 | See Source »

...National Convention in Madison Square Garden, to nominate Al Smith for President. The interval between represents a catastrophe in F.D.R.'s life out of which he forged a victory; it has thus all the contours of the classically beleaguered hero. In addition, Sunrise at Campobello offers the classic motif of external pressures, with F.D.R.'s imperious mother wanting her crippled son, by returning to Hyde Park, to put himself on the shelf, and with Louis McHenry Howe insisting that, as a man born for politics, he must still throw his own hat in the ring...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Feb. 10, 1958 | 2/10/1958 | See Source »

...Pantheon; $3.50), is based on the fact that the human comedy is seldom humane. British Novelist Francis King, 34, pitches his inhumane comedy on the rise and fall of a young Greek spiv of the postwar dead-beat generation. The book's larger theme is the old motif of American innocence v. European corruption. Reflected in the golden eye of a Mediterranean setting, what is sordid and depraved becomes corrosively hilarious. Spiro Polymerides is a sun-baked peasant Apollo. He is taken up by an arty, effeminate, high-minded official of a U.S. relief mission in Athens. To fiftyish...

Author: /time Magazine | Title: Books: Mixed Fiction, Jan. 27, 1958 | 1/27/1958 | See Source »

...that Hollywood usually purveys as local color. He does not give us pale demigods or villains with waxed black mustaches; the three men he presents us with are for the most part fully believable in a believable if distant situation. One of the three, tough guy Bogart, illustrates the motif of the film, that "gold can destroy men's souls," his degeneration coming almost in retribution for his claim that he is immune to the poison of the yellow dust. The other two seem ready to yield also, but they do not, and we are left with the feeling that...

Author: By Gerald E. Bunker, | Title: The Treasure of the Sierra Madre | 11/12/1957 | See Source »

Taking note of the hubbub, Moscow's Literary Gazette also came out boldly in favor of nudes, preferably female. "Hypocrites and doctrinaires and art administrators have tried with enviable success to drive this undying motif, which inspired so many great realists, from the sphere of painting in Socialist realism as 'immoral.' Glazunov cannot but be praised for the boldness with which he broke this stupid taboo and brought back to art an earthy delight and poetry of feeling." As a followup, Moscow Radio's English broadcast quoted Critic Anatoly Chlemov deploring the view that "just about...

Author: /time Magazine | Title: Art: Realism in the Raw | 2/25/1957 | See Source »

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