Word: motion
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...always a little tricky negotiating the road from Broadway musical to major motion picture, strewn as it is with the burned-out hulks of vehicles like 2005's The Producers and Rent. Viewers currently like their cinematic fantasy fairly realistic, the better to suspend disbelief. But in reality, only crazy people break into song in the course of regular conversation. Conversely, the weirder the movie musical is, the better it appears to work (see Moulin Rouge! or Chicago). This would seem to play to Burton's and Depp's strengths...
...Professor J. Lorand Matory ’82, claim that they are being muzzled. At last week’s Faculty meeting, Matory alleged that critics of Israel like him “tremble in fear” when they express their views at Harvard. He submitted a motion to resolve that “this Faculty commits itself to fostering civil dialogue in which people with a broad range of perspectives feel safe and are encouraged to express their reasoned and evidence-based ideas...
Matory’s motion received support from other paragons of political correctness, who are well-known for their advocacy of censorship of the “offensive” speech of others, but who are now complaining that there’s not enough free speech for them at Harvard...
...Arts and Sciences (FAS) voted to table free speech. At least, that’s what anthropology and African-American studies professor J. Lorand Matory ’82 would have you believe. Matory, who has previously complained about academia’s pro-Israel bias, introduced a motion at last week’s Faculty meeting calling on FAS to reaffirm its commitment to free speech and tolerance of minority views. The Faculty, however, seeing through Matory’s ploy, decided to table the resolution (a sufficient quorum was not present to defeat the proposal). Free speech...
...fractured” aspect well. But the dissonance of the music, at one point accompanied by an alarm-like bell from the live percussion, made for a rather unpleasant listening experience. The dancers frequently placed their hands on their foreheads as part of the choreography, but at points the motion seemed more like a reaction to Vores’ screeching tones. The music of “On the Brink,” by contrast, was not only remarkably compelling, but also complemented the choreography perfectly. The choice honored the 70th birthday of its composer, Philip Glass, this year...