Word: motion
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Manny Pacquiao is going through his throwing motion at Yankee Stadium. With easy deliberation, he shows off the form he says he perfected playing elementary school baseball in the dirt-poor southern Philippines before boxing took him over completely. His shoulder slips back, his torso pitches smoothly forward, left hand and arm torquing an imaginary ball into the depths of the air-conditioned players' cafeteria, where he is waiting to take the field for an announcement. The diamond stud in his ear catches the light...
...sidekick but not the brightest opossum in all the land; when confused, his eyes transform into dazed little bull's eyes. A beagle with a case of "chronic rabies" is used to great effect, and Boggis (Robin Hurlstone), Bunce (Hugo Guinness) and Bean (Michael Gambon) are brilliantly realized. Stop-motion is clearly a laborious business, but what shows in Anderson's film is not the work, but the joy derived from a craft used to maximum effect. If Fox Searchlight wanted to double its box office, they need only set up a booth selling models of Anderson's Fox family...
...Though he depicts the brutal, primitive, and rough-seamed battles of blood and violence, Woo handles the entire movie with great care. Inventive camera angles—shot from a cavalry horse’s perspective or from the tail of a dove—meet well-timed slow motion sequences. The soldiers’ dull armor and the tan sands on which they travel create a stunning contrast with the bright, multi-colored banners they carry into combat. For the most part, Woo eschews loud, crashing music in favor of delicate, melodic Chinese stringed instruments, which are often played...
Placing one knee and hand in front of the other in a perfect rhythmic motion, she began to crawl...
...impetuous males to find themselves uncomfortably put on the spot by Ivy League graduate student named Sara. Krasinski’s eponymous adaptation of a 1999 short story collection by the late David Foster Wallace takes the blunt emotional starkness of the written interviews and puts them into motion on the screen in such a way that the audience can’t help but feel directly addressed by each subject. The film—a short 80-minute affair made up of strung-together interview segments—doesn’t hold very well as a narrative...