Word: motioning
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Dates: during 1960-1969
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Katushev in Motion. Katushev's international debut took place when he accompanied Brezhnev to Prague in January 1968, in a vain attempt to rescue the Stalinist regime of Antonin Novotny. Since then, he has been frequent -and unwelcome-visitor to Czechoslovakia. At Cierna, where the Russians and Czechoslovaks fell out over Prague's liberal line, Czechoslovak National Assembly President Josef Smrkovsky reportedly observed that Katushev argued the Soviet case "with the toughness of two Molotovs put together." At year's end Katushev was in charge of the delegation from the Kremlin that made an inspection tour...
...Council also debated the continuing question of Piazzo Leprechano. Mahoney introduced a motion to reconsider the resolution passed last week to rename Harvard Square...
...beginning the plot and the Revolution are advanced by the actions of specific characters. Not only on a script level, but more vitally in Renoir's formal style, so the actions of each man make the Revolution: breathtaking camera tracks sum up their actions into a single forward motion, and the characters are thereby swept into the world of the film, the historical movement that was the French Revolution...
This extraordinary incorporation of individual into collective motion propels the film forward. We are inevitably carried from the Revolution's beginnings in the Midi to the storming of Versailles, a span of several years and several hundred miles. That Renoir can make a film of this scope which scarcely slackens its pace, while sticking closely to the passions and actions of single men, proves (if proof were necessary) his genius...
...movements, at most slow pans (excepting one frightening tract), to create a world of permanence--the land, into which all the characters' actions flow. This formal method realizes the plot to give the film a feeling of fatality an fixity. The world of La Marseillaise is a world of motion. But the moral structure of the films--Renoir's view of the place of personal feelings and actions in the world--is the same. Both films are created, closed works, the setting of La Marseillaise being as purely evocative (again, one couldn't draw a map of the setting...