Word: motioning
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Dates: during 1960-1969
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Black is beautiful, says the Negro slogan. Money is golden, says Hollywood. This year they coincide: Sidney Poitier is the number-one money-making star of 1968, reports the Motion Picture Herald in its 37th annual survey of superstars. After Poitier comes Paul Newman; third is Julie Andrews; fourth is John Wayne-appearing among the Top Ten for a record 19th time. In fifth position is a newcomer, Clint Eastwood, whose made-in-Italy "Dollar" westerns were appropriately named. The sixth is Dean Martin; seventh, Steve McQueen; eighth, Jack Lemmon; ninth, Lee Marvin; and tenth, Elizabeth Taylor. There...
...demonstrators approved a motion by Jared K. Rossman '71 to show their support in the advertisement, which will appear in the CRIMSON of Jan. 14, the day that the Faculty will meet to discuss punishment for the protestors...
Bogdanovich picks good models and adds good ideas to his petty thievery. Bobby Thompson's execution of his wife and mother superbly blends diverse gimmicks (stop motion shots, wide angle distortion) into a well-conceived unity. A close moving shot along the floor after the corpses are removed reveals some loose change which fell out of the mother's house coat as she died--truly a good touch, as is Bobby's compulsive neatness: a bit of calculated direction about which I would be more sanguine were Bogdanovich's own camera style less neat and precise. These are better than...
...been banished from France, and no one has taken his place. The students are now badly splintered into rival groups. When 1,000 militant students met last week in Marseille to form a common front against De Gaulle, they squabbled so badly that they could agree only on one motion-to adjourn. For their part, the workers lack both the will and the funds to go out on strike any time soon...
...sketches were then turned over to a roster of 40 animators and 140 technical artists, who made some 500,000 drawings altogether. This is considerably less art work than was used by Walt Disney, whose techniques were developed to simulate the motions of real life. Animators like John Hubley rebelled against Disney's sleek realism. They produced films that frankly displayed their characters as drawings, not people. Backgrounds were not landscapes, but sketches. The results were such creations as Gerald McBoing Doing and Mr. Magoo. Candidly stylized, outrageously unrealistic, they made a kind of claim to be art. Edelmann...