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Word: motioning (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

YOUR OWN THING slides Shakespeare's Twelfth Night into the 20th century with rock music and the unisex look of the with-it generation. Leland Palmer lends rag-doll insouciance to a perpetual-motion Viola...

Author: /time Magazine | Title: Television: Aug. 30, 1968 | 8/30/1968 | See Source »

...issued challenges to their own credentials. Demonstrators, pretending to be a chain gang, beat themselves with belts and chanted: "Oh, it hurts so good, I don't want to do anything about it. But I like to talk about it." Lost in the con fusion was a motion to declare the whole congress unaccredited and send everyone home...

Author: /time Magazine | Title: Education: Warning Signals | 8/30/1968 | See Source »

...evident in Broder's stories before and during last week's convention. While others made much of the "erosion" of Nixon support to Reagan and Rockefeller, Broder kept insisting that Nixon's delegate strength was still substantially intact. "I can't find any signs of motion that way," he said last week. He ran his own head counts, published firm numerical rundowns of key delegations. His sources were "not necessarily the top men in each delegation," he said. "Often a man farther down in the ranks can be a better source -particularly...

Author: /time Magazine | Title: The Press: A Sense of When and Where | 8/16/1968 | See Source »

...taking off. Some dangle from the ceiling and seem to float, like a yellow submarine, at ankle, knee-or eye-level. Yet none of these ever actually move, for they are not boats, not planes, but sleekly minimal bolts and beams cantilevered into a startling semblance of motion by Manhattan's Robert Grosvenor, 31. "I like sculpture to be a kind of quick thing, like what we see out of train windows," says Grosvenor. "I like things I've seen very fast and I don't know what they are, but I remember the outline, the image...

Author: /time Magazine | Title: Sculpture: Bolt Ahoy | 8/2/1968 | See Source »

Finally, a camera style of slow and balanced moving shots is, successfully executed, one of the great joys of narrative film. When Chris goes to Paul to reassure him in a scene discussed earlier, Chabrol cuts together shots already in motion, joining a shot moving left in a circular are, a crane down from high angle, a forward track moving left, one moving right, and a pull back to wide-angle. The effect is again one of montage--the creation of masterful rhythm from smaller individual rhythms -- and again the illusion gives way to the truth of the image...

Author: By Tim Hunter, | Title: Claude Chabrol's The Champagne Murders | 8/2/1968 | See Source »

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