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...From Here to Eternity; The King and I; Heaven Knows, Mr. Allison; Separate Tables and The Sundowners. But Kerr never took home a competitive statuette. In 1994, the Academy voted her a lifetime achievement award, proclaiming her "an artist of impeccable grace and beauty, a dedicated actress whose motion picture career has always stood for perfection, discipline and elegance...

Author: /time Magazine | Title: From Her to Eternity | 10/19/2007 | See Source »

Last spring, Faust was already stating a commitment to improving the conditions for the arts at Harvard. “I will be setting in motion a process to look at the place of the arts at Harvard,” she wrote at the time. “I would like to have a clearer sense of the range and variety of what is already going on, how it could be better integrated, and how we can build upon it to make the arts much more central in university life...

Author: By Alexander B. Cohn, CRIMSON STAFF WRITER | Title: Arts On Top...for the First Time? | 10/19/2007 | See Source »

...playwriting, and Vogel added that spaces like the theater were important in “creating the next possible circle for American theater.” OFA Program Manager Thomas Lee said in a phone conversation before the event that he produced the panel hoping it would put in motion a “provocative, forward-looking discussion” both in and outside the theater. “This is an extremely important moment for theater life on campus,” said Joshua E. Lachter ’09, one of the producers of this year?...

Author: By Jenny J. Lee, CONTRIBUTING WRITER | Title: Curtain Rises on College Theatre | 10/18/2007 | See Source »

...highlight of the piece, with her incredible emotional expression and uninhibited motion. The corps dancers were also impressive, managing a high level of unity of motion, which was surprising given that they were not dancing to music for much of the number. The piece concluded with a high-energy sequence of pair dancing and an impressively coordinated series of floor movements...

Author: By Rachel M. Green, CRIMSON STAFF WRITER | Title: 'Avec Nous' Not Unified By Poetry | 10/14/2007 | See Source »

...writing is just as messy. Nonetheless, though the man may not understand how to shape a dramatic scene, he aces his action sequences. The undercover infiltration of a drug warehouse is tense and stifling, with each corridor distending into murky darkness, shot with just enough slow-motion to give the whole scene the feeling of a nauseous, hallucinated pipe dream. A car chase filmed mostly from within a pursued car feels suffocating because of Gray’s decision to use only sounds that the character are hearing and no soundtrack. But his treatment of the political nature...

Author: By Kyle L. K. Mcauley, CRIMSON STAFF WRITER | Title: We Own The Night | 10/12/2007 | See Source »

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