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...There was mystique. They're 60 feet high, and you paid your buck and a half to go see them. But that's gone. People know everything about everybody now. PITT: Jaws came along and proved you could make huge money with blockbusters, and it set this thing in motion that has lowered the subject matter. People like George have been getting good stuff out there, but it's an industry that pushes people out on the big stage too fast, before they're ready, and it eats them up as well. It's a different kind of arena...

Author: /time Magazine | Title: Ocean's Thirteen, the Interview | 5/30/2007 | See Source »

...climb would be especially hard. The lightest camera designed for 65-mm work weighed at least 60 lbs. Worse, the system fairly devoured film, going through 5.6 ft. every second. A 10-lb., 500-ft. roll lasted only a minute and a half. When Breashears' film company, Arcturus Motion Pictures, was approached by U.S.-based MacGillivray Freeman Films about making the movie, Breashears knew he couldn't do much about the film, but he insisted that the camera had to be rebuilt...

Author: /time Magazine | Title: Mountain Without Mercy | 5/26/2007 | See Source »

...enter and circulate within the distorted bowl of his Torqued Ellipse IV is to find yourself inside a resolutely abstract geometric volume that is also somehow a womb, a crater, an inlet and a chamber. By its powerful address to both the body and the subconscious, it sets in motion some very deep mental reflexes, including the ones having to do with anguish, awe and desire. Yet at the end, its greatest impact is simply as an abstract form that speaks in a language that pre-exists words...

Author: /time Magazine | Title: Richard Serra's Big Show | 5/24/2007 | See Source »

...there's nothing wrong with the camera falling in love with its subject. Star quality is an essential factor in movie mystique. Directors are also free to show a lovely face in slow motion, as you do endlessly with Nevins'. The Hong Kong director Wong Kar Wai has built a brilliant career on that technique. You selected Wong's longtime cinematographer, Christopher Doyle, in part because he would know how to work a similarly glorious magic...

Author: /time Magazine | Title: Mighty Hearts and Dark Deeds | 5/21/2007 | See Source »

...wonder if even the curriculum’s designers admire its startling unoriginality. Former Dean of the Faculty, William C. Kirby’s words on the vote were reminiscent of Communist China (as he acknowledged): "The motion was passed unanimously although many comrades were opposed." It is no doubt difficult to get even a fraction of our faculty to agree on anything, but their lingering concerns with regard to this important vote point to serious flaws...

Author: By The Crimson Staff | Title: A Vote for Vacuity | 5/21/2007 | See Source »

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