Word: motioning
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...Never mind that Wright still has to rule on the motion for summary judgment -- remember that? -- brought by presidential lawyer Bob Bennett some weeks ago. Now there is the whole question of Juanita Broaddrick, a 51-year-old Arkansas nurse who denies under oath the Jones team's claim that Clinton raped her or ever made improper advances. Revealing her name, as Jones' lawyers did on Saturday, is "part of a continuing effort to taint the jury pool," according to Bennett. Wright's problem: In a hypersensitive case like this, any ruling she makes looks political. Her most likely solution...
...doesn't work very well in a serious life. The thing about the present is precisely its confused instability, its blurriness, its sleight-of-hand. Now you see it, now you don't. It is a fog of particles in motion, a montage of denial and fantasy and sidelong perception. And therefore a most congenial medium for the current President...
...multitude of entrances from all sections of the orchestra. Mimicking the bustle of springtime with trilling ornamentation and a robust tone, the Berlin Symphony Orchestra lost none of the momentum it received with Derek Han's performance; even the more placid Larghetto was imbued with the anticipation of motion and activity to be delivered in ensuing Scherzo. At the piece's conclusion, Joseph Silverstein returned three times to receive the praise of his listeners, a handful of whom stood to applaud the orchestra and its smiling conductor...
...Ronnie. His steady camera and intentional dearth of cutting adds to the determined tone of the movie. We are never shocked by rapid movements of the camera but are instead convinced of a mounting tension through slow but deliberate cutting. Kwietniowski also includes enough dream sequences and slow-motion camera shots to add an eerie quality to the film. An example of his skill is his shot of the first encounter between Ronnie and Giles. The camera focuses on their handshake as Ronnie removes his hand and Giles keep his extended. Where Kwietniowski fails is by not adding other subtexts...
...Concerto in A Major, featuring the winner of the orchestra's concerto competition, Jonathan Russell '00. The orchestra jumped right into the traditional long intro to Mozart's Concerto while Russell--a dark figure--was silhouetted against the stage lights. After he awaited the long introduction, with one swaying motion Russell presented himself clearly with the unique and melodious tone of the clarinet. Sixteenth-note runs effortlessly double-tongued in this Allegro, Russell had complete control over his instrument, fingers moving rapidly yet delicately on the keys. Sixteenth run after sixteenth run, Russell set up the orchestra for a colorful...