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...away from an exotic object like Eros. And by the time the mission is over, they may get their chance. If there's enough propellant left in NEAR's tanks at the end of the year, ground controllers will have the option of sending the probe into a slow-motion, controlled crash. That would give NEAR's sensors one last, very detailed look at Eros' surface and perhaps reveal even more scientific information. Will they do it? Says APL's Coughlin: "We aren't even going to consider that question until we've successfully gotten there and gone into orbit...

Author: /time Magazine | Title: NASA'S CHEAPEST SHOT | 3/4/1996 | See Source »

Because of Galatis, the plant is still shut down. "What's especially galling," says Hadley, "is that the NRC ignored my client and denied his motion, then validated his concerns after the fact." In late December, Inspector General Norton released his preliminary report. He found that Northeast had conducted improper full-core off-loads for 20 years. Both the NRC's on-site inspectors and headquarters staff, the report said, "were aware" of the practice but somehow "did not realize" that this was a violation. In other words, the NRC's double-barreled oversight system shot blanks from both barrels...

Author: /time Magazine | Title: NUCLEAR WARRIORS | 3/4/1996 | See Source »

...would be wearing the shy, radiant smile that illuminates Il Postino, for last week the film received five nominations from the Motion Picture Academy in Hollywood. Though unsanctioned by the usual arbiters of artistic chic--film festivals and critics' groups--and something less than a breakout box-office hit of the Like Water for Chocolate variety, Il Postino became the first foreign-language film nominated for best picture since Ingmar Bergman's Cries and Whispers 22 years ago. Troisi was cited for his performance, Radford for his direction. Both the screenplay and the score were also nominated. In a race...

Author: /time Magazine | Title: CINEMA: A SPECIAL DELIVERY | 2/26/1996 | See Source »

...pilot (Travolta) who steals two nuclear weapons, shows how easily the two cinemas can coexist. It flies at the speed of Macho 2 while allowing Woo to unpack his full cinematic arsenal: overhead shots, plenty of steamy atmosphere (Travolta smokes a lot), Cuisinart editing of the action scenes, slow motion to prolong the jitters and, for dialogue scenes that other directors would stand flatfooted and watch, lithe little tracking shots. If film school were fun, Woo would be the nutty professor...

Author: /time Magazine | Title: CINEMA: GO WEST, HONG KONG | 2/26/1996 | See Source »

...jump from one high building to another. You watch these impossible stunts with fear and gratitude for the hardest-working man in show biz. To see your first Jackie Chan movie is to fall in love with what the movies once were: a comic ballet of bodies in motion...

Author: /time Magazine | Title: CINEMA: GO WEST, HONG KONG | 2/26/1996 | See Source »

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