Word: motions
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
...Dutch astronomers found that for 15,000 light-years toward the center, clouds of hydrogen fill the spaces between the stars, revolve around the center with reasonably circular motion. Then, 10,000 light-years out from center, comes a rather dense spiral arm of hydrogen that is moving away from the center at 100,000 m.p.h. Other hydrogen clouds in the vicinity may be moving outward as fast as 400,000 m.p.h...
...gasped Major General Lew Wallace. "Did I set all this in motion?" In 1899, the hard-riding, hard-writing Civil War commander was already appalled by the smashing success of his first historical novel, Ben-Hur, which in 19 years had sold 400,000 copies. And that, though the general did not live to see it, was only the beginning. By 1920, a stage version of the general's work had been running 21 years, had been seen by 20 million fans, had grossed $10 million. In 1926, M-G-M turned it into the first of the cinemammoths...
...great (3.35 angstroms*) as the distance between the atoms in the individual sheets (1.42 angstroms). In ordinary commercial graphite, microscopic crystals are jumbled almost at random, but in Pyrographite they are mostly aligned with their sheets parallel (see diagram). This builds up a layered structure that resists the motion of heat across the layers but permits easy passage along them...
...outdated product line, amicably easing out executive deadwood. The firm was founded by the late Edwin Booz, a Reading (Pa.) ironmonger's son who studied economics and applied psychology at Northwestern University while serving as an Evanston night cop. At the time, efficiency experts were entranced with time-motion studies on how to do such things as lay more bricks in less time. Edwin Booz's instinct was to concentrate on the big questions involving basic company strategy, new products, sales ideas. His first big break came in 1925, when Sewell Avery hired his firm, then...
...dances, "Emergence" and "Academic Allegory" were both abstruse, one serious, the other light, and set to music that was eminently unsuitable for dancing. The choreography for all these dances was static, concentrating heavily on cute but unsteady poses, arm movements, and writhing, often made to substitute for lack of motion, phrasing, and invention...