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Word: motions (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...stage partition, and in the foreground credits emerge and fade. Bobbie Vinton's "Blue Velvet" wells up, and Lynch gives us a picket fence punctuated by fat red roses. We see random shots of Lumberton, the film's seemingly idyllic smalltown locale. Big-hearted firemen wave in slow-motion, houses and trees and citizens stand their ground. Then a middle-aged man has a seizure watering his lawn. The hose spurts above him with sexual abandon, and a mongrel dog lunges on the misdirected spray. Lynch follows this with a close-up of insects teeming in the rich grass...

Author: By Daniel Vilmure, | Title: It's a Disturbing Life | 9/26/1986 | See Source »

...Center rotate in sync, creating gorgeous sculptured images. Filmed characters interact with spooky holograms and jolly robots. Thus it is with justifiable bluster that Frank Wells, the dapper, track-star-thin boss of Disney's theme lands, describes the company's latest park attraction as "far more than a motion picture. It is a total three-dimensional experience." Rusty Lemorande, the film's producer, calls it "not so much a movie as a 'feelie.' You don't just see it, you feel it, experience...

Author: /time Magazine | Title: Let's Go to the Feelies | 9/22/1986 | See Source »

Ruth Rendell's memory has been obscured in recalling the details of my dealings with her (BOOKS, Aug. 18). Several years ago, I inquired about the cost of optioning her book The Killing Doll for a motion picture, not for myself to star in but for my production company to produce. As it happened, no studio was interested in the project. I then withdrew my offer and moved on. It comes as a shock now to learn that Miss Rendell is under the impression that she turned me down because she thought I was unsuitable to play a part, which...

Author: /time Magazine | Title: Remembrances of Things Past | 9/15/1986 | See Source »

Kesey, too, means to convey the imperative of motion. At the center of his loosely related narratives is the Oregon farm, which serves as both the setting for pastoral romances and a pit stop for the wrecked and restless. Old Pranksters pass through on their way from nowhere in particular. The proprietor can be as hospitable as a Bedouin, but not when he is accosted by footloose youths smelling of "sour unvented adrenaline...

Author: /time Magazine | Title: Books: Psycho-Alchemy | 9/8/1986 | See Source »

...title Demon Box refers to Physicist James Clerk Maxwell's colorful explanation of perpetual motion. In the book Maxwell's model is used by a California therapy guru, fictionalized as Dr. Klaus Woofner, to explain human behavior. Kesey the globe trotter and spiritual joker seems entranced. But Kesey the planter of corn and milker of cows presents Woofner as another psycho-alchemist trying to turn a metaphor into a 14-karat gimmick. The point is made admiringly by one skilled fancifier to another. After all, the charlatan, like the artist, exploits illusion and a sense of mystery. Behind the plow...

Author: /time Magazine | Title: Books: Psycho-Alchemy | 9/8/1986 | See Source »

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