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...Gone are the days when the inner workings of automata were hidden to preserve the magic; the cogs, cams, pulleys and levers at "Fantastical Mechanisms" are all part of the show. American artist Norman Tuck offers practical but surprising demonstrations of scientific principles. In Double Helix, for example, two motor-driven copper spirals twine gently within each other until the moment they touch and reverse the motor. The machines of Russian sculptor Eduard Bersudsky, by contrast, are better read as manifestations of the troubled artist's state of mind. Now living in Glasgow, where his works are shown...

Author: /time Magazine | Title: Machine Age | 2/20/2008 | See Source »

...problem, not a $50-million-a-year problem," he says. "They don't understand that Interpol is cost-effective." Noble spends weeks every year at police conferences and government hearings, pressing the point that Interpol's worldwide reach makes it uniquely positioned to collate data on everything from stolen motor-vehicle licenses and lost passports to fingerprints and DNA samples. Yet there is still confusion about Interpol's role. Last year, when Louboutin spent time at the FBI Academy in Quantico, Virginia, he says he found that "only a couple of agents knew about Interpol...

Author: /time Magazine | Title: Interpol Finds Its Calling | 2/20/2008 | See Source »

...most expensive French film ever, with a massive release on 6,000 screens across Europe. It stars French cinema royalty Alain Delon and Gérard Depardieu as well as sports icons like soccer god Zinédine Zidane, basketball wizard Tony Parker and motor-racing legend Michael Schumacher. But the undisputed star of the show is the feisty, moustachioed comic strip hero upon whose adventures the movie is based: Asterix...

Author: /time Magazine | Title: Can Asterix Conquer Europe? | 1/31/2008 | See Source »

...Monderman, that inquiry began with the more prosaic challenge of getting cars to slow down. Like every transport planner faced with the relentless proliferation of motor vehicles, he had started out by assiduously putting up signs, painting lines and devising new traffic-calming projects. One of his early specialties was to place giant flowerpots in the road to make drivers hit the brakes. But in 1982, Monderman risked a bolder approach, redesigning the street layout of car-clogged Frisian towns and villages. He began by removing the road signs, traffic lights and surface markings, then set about eliminating the curb...

Author: /time Magazine | Title: Signal Failure | 1/30/2008 | See Source »

...prioritizing people over cars, says Dittmar, the winding streets and discreet signs used in Poundbury make it a model for high-density urban design. The bigger challenge, he says, is "retrofitting places that were built before the automobile. The old idea for traffic was to separate pedestrians and motor vehicles, but what it has devolved to is guardrails that fence people...

Author: /time Magazine | Title: Signal Failure | 1/30/2008 | See Source »

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