Word: motos
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...conspicuously absent. At times one could see the conductor shaking his head from side to side--sometimes mouthing words to the first violins, sometimes gazing out above the mass of musicians with his lower lip protruding. Under his command, the orchestra executed the polyphonic intricacies of the Andante con Moto in perfect synchrony. One could feel the layers of music meshing throughout the hall as they blanketed the audience with their warmth...
Rahsaan J. Glover, a technician at Moto Photo, was standing outside his workplace on Dunster Street across from Holyoke Center at 11 a.m. when he heard glass smashing above him. Glover looked up in time to see Podkopaev step out of the window "like he was just stepping off the sidewalk...
Rounding off the work is Paganini's Moto perpetuo composed in the context of an era obsessed with finding a perpetual motion machine. Fortunately for violinists, Paganini's perpetual motion piece does have an end. Though Shaham sets no speed records here, falling shy of Michael Rabin's definitive account by about 15 seconds, the clarity that he achieves amidst the unceasing cascade of notes will set the standard for some time to come...
...Andante Con Moto" (1992) began the evening. It is a series of 14 variations on the slow movement of Beethoven's "Appassionata" sonata, with an optional opportunity for an improvised cadenza before the final variation. The theme itself is not stated anywhere in the piece, and one catches only a few glimpses of it throughout--an occasional dominant seventh chord, or the five-note descending scale that concludes each half of the Beethoven movement. Rather than indulging in much direct quotation, Rzewski's variations preserve certain abstract qualities of the original. Beethoven's registral disjuncture, for example, is taken...
...population, paid an average 25 cents to go to the movies, which included a cartoon and newsreel as well as the standard double feature. A double feature usually meant a big picture with big stars and a B picture with little stars, like Charlie Chan in Reno and Mr. Moto in Danger Island, to name only two from 1939. To satisfy the insatiable public, the studios released 388 movies that year (compared with 349 in 1988), 378 in traditional black-and-white and ten, including Gone With the Wind and The Wizard of Oz, in that relatively new process called...