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...cater to night-club audiences in the way Ray Charles does and Sam Cooke--who died three years to the day before Redding--did (though Cooke was coerced by the orientation of the company he recorded for). Redding was infinitely far from the frame of mind which characterizes the Motown corporation with its grossly defective cultural antennae. Motown will naively release its first album with a psychedelic cover five years from...

Author: By Christopher M. Bello, | Title: The Death of Otis Redding | 1/11/1968 | See Source »

...element of vulgarity in Adams's treatment of the music. Both the Haydn and the Mozart lacked the classical elegance that is so important in works of that period. In the Milhaud Adams adopted a grinding, spread-kneed approach and a style of rhythmic emphasis that owed more to Motown than nineteen-twenties jazz...

Author: By Robert G. Kopelson, | Title: Bach Society Orchestra | 11/20/1967 | See Source »

Finances or Forks. Sometimes plucking recruits straight from high school, Gordy's International Talent Management Inc. puts new Motown performers through a show-biz finishing course for up to six months, teaching them how to dress, carry themselves, perk up their acts with a little choreography, and handle finances or even forks. Motown performers have many of their numbers custom-tooled by Gordy's own staff of songwriters and producers, led by the gifted team of Brian and Eddie Holland and Lament Dozier (Stop in the Name of Love, Baby Love). Where many recording companies market disks...

Author: /time Magazine | Title: Records: Heavyweight Featherweight | 9/8/1967 | See Source »

...result is the "Motown sound" -basically the Negro rhythm-and-blues style that has captured a vast white audience in recent years, but now stamped into slick model lines and given the hard chrome gloss that Gordy used to fit into autos. "This is just something we feel and therefore produce," says Gordy. "We've never stopped to think about...

Author: /time Magazine | Title: Records: Heavyweight Featherweight | 9/8/1967 | See Source »

...knockouts, but got discouraged because he "never fought anybody worthwhile." After Army service, he opened a record shop and went broke, but continued writing and recording songs at his own expense. In 1959, Way Over There sold 60,000 copies. Encouraged, Gordy borrowed $700 from his family and launched Motown in a seedy frame house on Detroit's Grand Boulevard, where his offices and studios now sprawl through eight buildings...

Author: /time Magazine | Title: Records: Heavyweight Featherweight | 9/8/1967 | See Source »

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