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...they made their first bid for a recording contract with Berry Gordy, the hiphazard impresario of Detroit's Motown* Record Co. "They seemed like just three skinny teen-age girls," he remembers. "I told them to go back to school." Back they went, but in her junior-year Diana wangled work with Gordy as an assistant to his secretary. "I didn't know anything about being a secretary," says Diana, "and I used to sing every time he opened his inner door." She was fired within two weeks, but did manage to land the girls some recording jobs...

Author: /time Magazine | Title: Singers: The Girls from Motown | 3/4/1966 | See Source »

...Motown. The best brown sound is, of course, that sung by Negroes. Last year 42 of the bestselling rock 'n' roll songs were produced by one man: Berry Gordy Jr., 35, who as head of Detroit's Motown Records, employs some 175 Negro artists. A former auto assembly-line worker, Gordy operates out of three adjoining shingle houses which bear the proud banner HITSVILLE, U.S.A. Beginning with a $700 loan six years ago, Gordy has built Motown into the nation's largest independent producer of 45-rpm records (1964 sales: 12 million records). Next to the Mersey sound, the "Motown...

Author: /time Magazine | Title: Rock 'n' Roll: The Sound of the Sixties | 5/21/1965 | See Source »

...prize fillies in Gordy's stable are the Supremes, three girls who grew up together in Detroit's squalid Brewster Housing Project. With four consecutive No. 1 records, they are the reigning female rock 'n' roll group, followed by Motown's Martha and the Vandellas. Diana Ross, 21, the Supremes' lead singer, is greatly envied for the torchy, come-hither purr in her voice. Her secret: "I sing through my nose...

Author: /time Magazine | Title: Rock 'n' Roll: The Sound of the Sixties | 5/21/1965 | See Source »

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