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Word: motowners (lookup in dictionary) (lookup stats)
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...auto industry execs want us taxpayers to save them? This taxpayer would really like to be able to buy a Motown-made vehicle without feeling as if I was paying twice for it, once at the car dealer's and a second time through my taxes. Richard Arrighi, Oakland, California...

Author: /time Magazine | Title: Inbox | 12/4/2008 | See Source »

Michigan's own relation to car culture tends to be more wistful. After the Motown era, which more or less coincided with the end of Detroit's glory days as a city and an industry, you have to look hard to find songs by Michigan musicians about driving. Instead, Bob Seger--Michigan's Springsteen, who gave Chevrolet its "Like a Rock" slogan--reminisced about the backseat of his '60 Chevy in "Night Moves" and sang "Makin' Thunderbirds" about workers building Ford muscle cars in 1955: "They were long and low and sleek and fast/ They were classic in a word...

Author: /time Magazine | Title: In Michigan, Still Waiting for the Renaissance | 12/4/2008 | See Source »

DIED Jheryl Busby, 59, wisely said in 1989, "Motown can't be what it was in the 1960s." As president and CEO of Motown, Busby shepherded the careers of acts such as Boyz II Men and Queen Latifah and revitalized the flagging record label...

Author: /time Magazine | Title: Milestones | 11/13/2008 | See Source »

...Long Lap Dance” plays like part two to “I’m N Luv (With a Stripper)” (and I mean that as a compliment). “Reality Show” brings back that funky Motown sound and is by far the best song on the record. The end of the album consists of more forgettable tracks such as “Distorted,” “Bad Side,” and “Phantom.” Pain makes an attempt at a heart-felt ballad...

Author: By Maeghan E. Lyons, CRIMSON STAFF WRITER | Title: T-Pain | 11/13/2008 | See Source »

...halfway mark, then “Daddy’s Gone” will be the one that hooks you. Starting with, “How you’re my hero / How you’re never here though,” this Emo-Motown ballad features the laments of a son thinking of his runaway dad. The content of the lyrics, the supporting synth, the old school, melancholic sound, and a booming chorus with James Allan shrieking, “He’s gone, he’s gone,” make this a thoroughly disarming...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: Glasvegas | 11/7/2008 | See Source »

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