Word: moulins
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Dates: during 1950-1959
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...success, Felicia sweats out each entrance with nail-gnawing tension. But once in the spotlight, the lady is a cool and practiced performer. The nervous novice who got her first big break six years ago as the unknown vocalist on Percy Faith's recorded sleeper, Song from Moulin Rouge, has since given herself the polish of a pro. No longer does she settle for the stiff, tight-backed stance, the black, high-necked dresses and Peter Pan collars with which she turned her earliest act into a vague imitation of French Songstress Edith Piaf. Now she has a style...
...Toulouse-Lautrec, finally, is amazing. Its title, Messaline, suggests its romantic aspect, and a far cry indeed from the realism of the Moulin Rouge is its rather Redonesque treatment of lighting, color and brush-work. Its monumental figures (note the left foreground personage or Messaline herself) and themes are straight out of the Golden Age, giving Lautrec a new dignity as a creator of significant content which I, for one, would never have thought possible...
...soon smack in the middle of her country's resistance first to the French, and then to the Communists. Thrown into prison in 1946, she escaped, joined the partisans. Today, in her bustling office in the palace, which because of its busyness she calls Le Moulin (the mill), she handles a bewildering assortment of visitors and letters asking every sort of favor, from help in curbing an abusive husband to advice on a Latin essay. She manages the presidential palaces and mansions, but in spite of her connections ran for the National Assembly as an Independent. "I am very...
...nation. Accepted in 1890 after heated argument, Olympia was hung in the Luxembourg Palace, then the waiting room for the main Louvre collection. In 1894 the painter Gustave Caillebotte bequeathed the nation 67 prize impressionist paintings, had 38 grudgingly accepted for the Luxembourg, including Renoir's Le Moulin de la Galette, Pissarro's Red Roofs. By 1911, opinion had swung round so completely that when Count Isaac de Camondo willed the Louvre 56 impressionist paintings (including Degas' Foyer de la Danse, Manet's The Fifer), they were accepted unanimously by the Curators' Committee...
...followed with such pictures as Moulin Rouge, Trapeze, Summertime, was willing to take chances that major studios balked at. When Mike Todd could get no backers for Around the World in 80 Days, U.A. rescued him with $2,000,000, arranged a further bank loan. To date, the picture has paid more than $16 million to U.A. in rentals...