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There are a few professional philosophers who, remembering with awe the Bertrand Russel of Principia Mathematics and An Inquiry into Meaning and Truth, mourn his recent "decline" into light literature. Father William, they argue, should not be standing on his head. Any reader of the "Nightmares" however, will be inclined to think that more remains to the eighty-three year old Bertrand Russell (and to the somewhat younger Cheshire cat) than his grin. A remarkably acute thinker is merely chuckling in a different medium...

Author: By W. W. Bartley iii, | Title: Parliament of Fears | 10/25/1955 | See Source »

Usher Moren's "II Vecchio" is such a fine parody of Hemingway that it is a shame Mr. Moren intended it as a serious story. A situation in which three barbers mourn the fate of a fourth whom age has forced back to the last chair in the shop is a true parody of all Hemingway's aging bullfighters and fishermen, especially when Mr. Moren has someone say, "He is an old man and cuts well and it is truly a terrible thing...

Author: By Michael J. Halberstam, | Title: The Harvard Advocate | 5/10/1955 | See Source »

...annals of history will echo this sin against God and his creatures unto eternity . . . May the memory of Governor John M. Slaton be a blessing to all who mourn his passing...

Author: /time Magazine | Title: Letters, Feb. 14, 1955 | 2/14/1955 | See Source »

When Colette died (TIME, Aug. 16), all France seemed to mourn. Within two hours, 10,000 Parisians gathered silently in the garden of the Palais-Royal beneath the novelist's windows; four days later she was buried with a state funeral. But the Roman Catholic Church denied her its rites. At 81, Novelist Colette-whose books were far from other-worldly-had been twice divorced, was long out of communion with the church. Last week, in the weekly Figaro Littéraire, British Novelist Graham (The End of the Affair) Greene, a Roman Catholic convert, took Paris' Cardinal...

Author: /time Magazine | Title: Religion: The Right to Rites | 8/30/1954 | See Source »

...showing the dead Christ laid out on a rough, shrouded bier awaiting entombment. In the tragic dignity of the recumbent figure and in the calm anguish of the face, the sculptor had achieved a work of striking realism; the body lies alone with none to mourn it, and the effect is one of infinite loneliness. Art experts called the statue a first-rate example of Renaissance sculpture, and archaeologists pronounced it "one of the major archaeological finds made in London during this century...

Author: /time Magazine | Title: Art: Resurrection in Cheapside | 6/14/1954 | See Source »

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