Word: mouthing
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Dates: during 1930-1939
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...before adjournment when the pension fight was at its hottest & heaviest in the Senate, Virginia's peppery little Carter Glass, his nerves rubbed raw with the strain of the session, uprose to flay greedy veterans. From the corner of his mouth he snarled...
...seems to be the seat of tuba experiments. Tubaman James Austin Houston who plays in radio station WLW has a bellows contraption called an aerophor attached to his instrument (TIME, Dec. 14, 1931). He pumps it with his foot to shoot auxiliary air up through a hose into his mouth where, by a special facial technique, he shoots it back into the instrument. Tubaman Houston is puny. His aerophor is purely a lung-saving device. William Bell's invention is not for weak tubamen. It does the work of two tubas-a double bass and a baritone...
Toad Juice. In Eli Lilly's Indianapolis drug laboratories where he directs pharmacological research. Dr. Ko Kuei Chen, Johns Hopkins graduate, applied himself to finding out what there is in folk medicine which helps Chinese cure toothache, sinusitis and mouth sores with applications of dried toad venom and which made Shakespeare note: "Sweet are the uses of adversity, which like the toad, ugly and venomous, wears yet a precious jewel in his head (As You Like It). From glands located behind the eyes of 7,500 U. S., German, Jamaican, Uruguayan, South African, Chinese and Japanese toads. Dr. Chen...
...home the routine is monotonously wretched. His thieving older brother and dull sister, the mother's favorites, get the melon. He is allowed to gnaw the rinds before being sent to feed them to the rabbits. He is abused for answering a question with bread in his mouth, laughed at for being afraid of the dark. The child's torture is made credible by the sly malice with which his unnatural mother administers it. One night Foil de Carotte does not pray his usual prayer that "Mme Lepic will forget about him for a little while." He begins...
...partly for his effects on his white dress-suit with ludicrously long tails. Windy, muggle-smoking Louis Armstrong has never had patience or skill to build an orchestra of his own. He is happy strutting before any good hot band where he can introduce himself as "The Reverend Satchel Mouth" and proceed to triple-tongue a cornet at incredible speed...