Word: move
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Dates: during 1970-1979
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...Japan's role as an economic power: Japan must not get involved in world power games but must discharge her responsibilities to the world as an economic power. Japan must help the world economy move toward stability. For this, the dollar has to recover a more stable position. In turn, Japan must cooperate more actively in helping defend the dollar. After all, the dollar helped Japan over these many years, and Japan owes her present position to the dollar. Now when the dollar is "tired," it is a natural obligation for Japan to come to the rescue...
...different stages of development, the quality of the economies is different, and any associations are very loosely tied. The ASEAN [Association of Southeast Asian Nations] does exist, however, and it must be respected, but it is not like the European Community association. This means that our aid will move more on the bilateral plane [instead of being filtered through the regional association...
...after New York City and Los Angeles), the state board put Chicago's schools on probation in 1976. It will take another hard look at segregation in the system at a public meeting later this month. If the board does not like what it finds, it could move to halt state and federal education aid to Chicago, thereby cutting the city's $1.2 billion annual school budget in half...
...they agree enthusiastically with Bergerac on the more general theme that romance and mystery are back in, supplementing if not replacing the natural look. Having established their independence, women can shift from daytime pants to dressy fashions at night, and choose makeup and fragrances to match. "As we move from the '70s into the '80s, there is a general shift from feminist to feminine," says Frederick Scott, vice president of Elizabeth Arden. Marilyn Miglin, owner of a cosmetics salon on Chicago's Gold Coast, agrees: "The trend now is switching back to pure glamour." Which does not necessarily mean that...
...good news first: George Abbott, at 91, is still one of the best directors around, and if he walks slowly these days, you would never know it from the staging of this, his 119th production. No one can move actors around faster, get more laughs out of a joke or slide so gracefully over a play's weak spots. The bad news is that the weak spots in Winning Isn't Everything, which opened last week at Manhattan's Hudson Guild Theater, are more like potholes, and even Abbott and an able cast occasionally stumble...