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Pistachios are the latest nut to disappear from Harvard dining hall menus. The move comes in response to a warning issued earlier this week by the Food and Drug Administration about salmonella contamination of products from Setton Pistachios of Terra Bella, Inc. Just two months ago, Harvard University Dining Services eliminated all peanuts from their dishes in the wake of a salmonella outbreak attributed to several peanut products. The FDA and the California Department of Public Health is still investigating the incident, and Setton has voluntarily recalled around one million pounds of pistachios—both shelled and unshelled?...
...impose, or overdo anything. That would just kill it.” Lacking an entirely coherent plotline, “The Birthday Party” relies on evoking emotion, rather than enjoyment, from the audience. Even the set design is minimalist. The stage features only walls on wheels, which move increasingly closer to each other as the play progresses. As with most absurdist dramas, “The Birthday Party” eschews a set in order to maintain focus on the dialogue between actors, thus relying on the cast’s abilities...
...winner on our hands. “Living Thing” starts off with the shimmering synths and brutal drum machine beats of opener “The Feeling.” Spasmodic guitars and tidy handclaps round out the atmosphere. “It Don’t Move Me” carries over the same handclaps, placing them over a piano riff borrowed from Björk’s “Human Behaviour.” Like PB&J’s last album, “Living Thing” is marked by propulsive...
...sets the creative mood. With a couch and a makeshift kitchen, it is clear that many student painters view the studio as a sort of second home and Nancy, as she is fondly called, as a sort of stand-in mother. “Students congregate and sometimes practically move in,” writes former studio teaching fellow Claire W. Lehmann ’03 in a letter addressed to President Drew G. Faust in support of Mitchnick, who will be leaving next year. “Often I would arrive in the morning to find students passed...
...While some perceive that the department is moving in an increasingly conceptual direction—as indicated most recently by Mitchnick leaving—administrators dispute that notion, claiming that her departure is not representative of such a move. “We are not headed in any ideological direction,” Garber says. “We are looking for good artists who are good teachers to teach where there is student demand...