Word: moved
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Dates: during 1960-1969
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...commit the U.S. overseas? The answer is less than clear. Most Presidents, afraid that too many restrictions would tie their hands in relations with foreign governments, interpret their mandate as broadly as possible. As a result of the nation's experience in Viet Nam, however, there is a move in Congress to narrow the presidential reach. Indeed, Idaho's Senator Frank Church has gone so far as to warn that U.S. presidential power is leading toward "Cae-sarism." "The Roman Caesars," he told his colleagues recently, "did not spring full blown from the brow of Zeus. Subtly...
Second, we must have plans finalized and beginning to be implemented as soon as humanly possible to use the other 1100 units presently allocated, for new construction and for acquisition and rehabilitation of existing housing. This means we must all move quickly and effectively than we have been. We must not build more institutional "projects," isolated from the rest of the community, no matter how hard that is to do under restrictive Federal cost and design regulations. We must stop talking about the need for more housing for low-income families, but objecting when a site in our own neighborhood...
...housing problem is the need for strengthening the Citys entire housing development and maintenance capacity. The Ford Foundation funded study, still in progress, is pointing toward assembling all housing-related functions is one agency responsible to the City Manager. I believe this is a good direction to move in, and if the report is adopted I will recommend its implementation as soon as possible...
...square compartments of a metal grid, like eggs in a box. Gliding in a sequence like words in a paragraph, the heads are tilted at slightly different angles. shifting with every position, the shadows redefine the expression on each colorless face. The head, locked in but just able to move, looks as though it was unable to think something through...
...horns that assault one throughout the scene act on them only as low-level irritation. When they come on the front of the line and discover that a car wreck (corpses strewn on the bank) is the cause of the delay, they simply accelerate past; the camera's move into high-angle, giving the shot of bloody bodies and smashed cars a mood of tragedy, is ignored by the motorists who drive into the distance. The scene is a brilliant metaphor for bourgeois social relations--the stopped motorists, though unwilling to take any action (collective or individual) about their total...