Word: moved
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Dates: during 1960-1969
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...Paris peace talks. After formally presenting the message to Communist negotiators at week's end, Henry Cabot Lodge could make the optimistic announcement that, despite initial criticism, the other side gave "every indication" of willingness to bargain on Washington's proposals. In a still more heartening move, North Vietnamese negotiators agreed to meet secretly with the U.S. prior to this week's session. At the very least, when faced off against the Hanoi-National Liberation Front's ten-point plan presented the week before, Nixon's proposals define a workable middle ground and provide both...
...speech almost up to the moment when he walked into the White House theater to deliver it. He prefaced his peace plan with a defense of continued U.S. presence in South Viet Nam and a restatement of the nation's goals there. Referring to his inaugural pledge to move the nation from "an era of confrontation to an era of negotiation," the President maintained that the U.S. must demonstrate, "at the point at which confrontation is being tested," that confrontation itself is profitless. As for what the U.S. seeks in South Viet Nam, Nixon said simply: "The opportunity...
...Switzerland; his judgments and comments are no less candid than ever. Along with a great many writers (see box p. 82), the informal list of his jocular pet hates includes such things as: progressive education; "serious" writers; confessions in the Dostoevskian manner; book reviewers, most of whom, Nabokov contends, "move their lips when reading"; people who say "excuse me" when they belch. Clearly, in an age practiced in the smooth piety of mock humility and slackly trained to believe that sincerity is an excuse for nearly everything, the public Nabokov must appear as some kind of cultural curmudgeon...
Death of a Gunfighter might have been as good as its actors. As bone-weary Marshal Frank Patch, Richard Widmark is as legitimate and leathery as a saddle. His mistress (Lena Horne) cannot make a move or a speech that is not correct or elegant; her appearance in this symbol-minded film sadly recalls a 13-year absence from Hollywood. Like the High Lama in Lost Horizon, Widmark and Horne seem at once endlessly old and miraculously preserved, as if they were waiting for a revelation. Death of a Gunfighter is not it. In a town settling into the 20th...
...parallels between my roaches and the Viet Cong can hardly be ignored. There are seventeen parallels. Both my roaches and the V.C. are indigenous forces, are ignorant, ill-clad and underfed; they both drag away the bodies of their slain, come back no matter how many are killed, move by night, avoid prolonged engagements with the enemy, are not white, are fighting against people who are, have been fighting for generations, are of uncertain numbers, move via infiltration routes, are wily, are outarmed by the enemy, are contemptuous of death, are independent of outside control, are inscrutable, and are winning...