Word: movement
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Dates: during 1970-1979
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While for the most part accepting SHAD's policy of nonviolent protest, some expressed impatience with the American anti-nuclear movement and waned that future protests might not be so peaceful. Many were new to the movement, joining after the Three Mile Island accident in March, and this was their first protest. They mixed with old vets, who wore buttons proclaiming earlier arrests at Seabrook, N.H., or Rocky Flats, Colorado. About half the protesters went limp to emphasize their non-cooperation...
Asked at her arraignment bearing how far she thought the protests would go, whether she thought they would remain non-violent, a middle-aged woman who had just joined the movement said," I don't know, but I'll do whatever it takes to stop that plant from opening...
MOST OF THE cinematic dynamism in Manhattan is contributed by camera movement: it is the major expedient by which Allen transforms mise-en-scene into mise-en-shot (i.e., the kinesthetic interaction between the camera's mobility and the movement of objects or characters within the shot). The tracking camera ideally relates to the theme of this film, merging into the film's content. If any environment can be epitomized by incessant and omnipresent movement-both physical and psychological-then that locale must be New York. As a New Yorker (perhaps even more as a Brooklynite who observed the "pulsating...
...ADDITION to the constant movement of the camera, as well as the movement of characters/objects within a shot, the characteristic rhythm of New York life emerges on the screen through the order and juxtaposition of the sequences within the narrative flow. The principle of their organization is contrapuntal: a predominantly brightly lit sequence is succeeded by a dark one, while a long take is almost invariably replaced by a sequence composed of many edited shots (principally of characters conversing in close-ups). This concept of the film as a juxtaposition of visual events unforcefully related to each other...
...INTERACTION between the camera movement and the characters' invariable locomotion contributes to the dynamism of conversation and exuberance of mentality singular to the New Yorker. As a result, the screen is perfused with optical changes so that the human beings appear to be animated marionettes in an ambience of rich urban decor. Inevitably, such visual dynamism provides an appropriate frame for a casual style of acting, freed of the contrivance and pomposity prevalent in contemporary comedies. The most spontaneous actor is, of course, Woody Allen himself, noted for his extemporaneous manner of rendering lines and puns. His wit seems...