Word: movement
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Dates: during 1970-1979
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...addition, an undergraduate group sponsored by the Radcliffe Forum and the Office of Institutional Policy Research on Women's Education initiated a "grass roots" movement to reach people on an individual level, Nancy J. Krieger '80, a member of the group, said this week...
Such action by Harvard would boost the morale of the anti-apartheid; movement both in Africa and world-wide. Conversely, it would be a powerful blow to the arrogant self confidence of the Nationalists in South Africa. As Donald Woods, exiled South African newspaper editor and Harvard Nieman fellow, explained in a recent interview with The Crimson: The South African government has this belief that Uncle Sam will always bail it out. It looks upon Americans as basically white and believes that they'll think racially. It's my belief that until something is done that actually costs the United...
...having children-are undergoing revision. "There has indeed been a swing of thought against children, but it was against this whole idea that one must have a family," she says. "Now I think it's probably going to swing back. All the excesses of the women's movement, including that one shouldn't 'look nice' and so on, are all going to be sifted through...
...proper homage to his life and presence as well as his art was the double take. In the midst of a movement, surrealism, which specialized in attention-getting stunts, political embroilments, sexual scandals and fervid half-religious crises, Magritte-next to Max Ernst and Salvador Dali, the best surrealist painter -seemed to be all phlegm and stolidity. He lived in respectable Brussels; he stayed married to the same woman, Georgette Berger, for the rest of his life; by the standards of the Paris art world in the '30s, he might as well have been a grocer. Yet Magritte possessed...
Magritte's turning point was 1927, when he went to live in Paris. There, immersed in the surrealist movement, he was no longer a provincial spectator. And he quickly realized where his contribution to it might lie: not in the exploitation of chance and random effects, like Masson or Ernst, still less in exoticism and neurosis, like Dali, but in hallucinatory ordinariness. One of the obsessions of surrealism was the way inexplicable events intruded into everyday life. With his dry, matter-of-fact technique, Magritte painted things so ordinary that they might have come from a phrase book...