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...three American contractors crash-landed in the Colombian jungle and were captured by FARC, the country's long-lasting Marxist rebel group. For the next five years, the three were held hostage--many of their captors little more than brainwashed youths with guns--facing snakes, insects, disease and constant movement from one dank jungle camp to the next. But the character earning the most scorn in their lengthy account turns out to be a fellow captive. French-Colombian politician Ingrid Betancourt, whose rescue in the same mission that freed the authors made world headlines, comes off as a "frickin' princess...

Author: /time Magazine | Title: The Skimmer | 3/5/2009 | See Source »

...signs, the satellite trucks, the flag-draped Harley-Davidsons, the Joan Baezes and the right-wing talk-radio hosts are all gone. Sheehan quit her protest, disillusioned with both Republican and Democratic leaders, in 2007. The once flattened roadside grass, parched yellow by drought, now stands straight. The only movement is a hawk landing on a fence post, a horse pawing at the dust and a trio of baby goats playing in a dry creek...

Author: /time Magazine | Title: Postcard from Crawford | 3/5/2009 | See Source »

Though oral poetry peaked in the 1990s as a revival of the post-war 1960s movement made famous by artists such as Allen Ginsberg and Jack Kerouac, its audience has greatly diminished in a 21st century world dominated by scripted and self-conscious, rather than spontaneous, performance. At Harvard, where most art—in the theater, gallery, or on paper—presents itself as a carefully polished final product, the spirit of the spoken word tradition and its interactive nature are rarely available to students looking for a consistently available venue. One stronghold at Harvard remains however...

Author: By Edward F. Coleman, CRIMSON STAFF WRITER | Title: Interaction Takes the Stage at Squawk | 3/5/2009 | See Source »

...dose of his characteristic flair for the dramatic, proved all of the hype about him was well justified. Settling himself at the Steinway concert piano, Lang opened with a poetic rendition of Franz Schubert’s Piano Sonata No. 20 in A Major, D. 959. In the first movement, the interplay of soprano and tenor voices created a chorus of classical lines that conveyed a dialogue of teasing questions and indignant retorts. Raising a finger to his lips as if to silence the piano, Lang Lang physically signaled the dreamy transition into a barcarolle-like segment, which he executed...

Author: By Monica S. Liu, CONTRIBUTING WRITER | Title: Musical Genius Impresses | 3/5/2009 | See Source »

...down every so often with a commercially available Bearcat scanner and listen to random conversations. It was mostly people griping about the shortage of bread or the price of gasoline. I improved my Arabic but little more. Once, however, something very intriguing came up on the air: the movement of tanks out of barracks. I was elated, jumping to the conclusion that a coup d'état was in the offing - and I'd be the one to break the news to Washington. As it turned out, the tanks were getting ready for a military parade...

Author: /time Magazine | Title: Intelligence Lapses: The Risks of Relying on 'Chatter' | 3/4/2009 | See Source »

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