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...School Professor Allen Ferrell noted that Paulson’s actions likely did not constitute wrongdoing, if the hedge fund was independently speculating on future market movements??which is not fraudulent behavior...

Author: By Tara W. Merrigan and Zoe A.Y. Weinberg, CRIMSON STAFF WRITERS | Title: Professors Discuss Goldman Suit | 4/21/2010 | See Source »

...panel entitled “Transnational Perspectives on Transgender Movements?? particularly emphasized this goal of collaboration...

Author: By Alice E. M. Underwood, CRIMSON STAFF WRITER | Title: Law Panels Stress LGBT Unity | 4/5/2010 | See Source »

Returning to their British roots, TNP have referenced the Benjamin Britten opera “Peter Grimes” as an influence for their latest forray into musical experimentation. Fusing these operatic overtones with London electronica movements??dubstep and dancehall—Barnett has conceived an album which ricochets from ostentatious and oppressive climaxes to moments of melodic escapism. The result is a somewhat tiring journey, but it is a ride worth taking...

Author: By Sarah L. Hopkinson, CONTRIBUTING WRITER | Title: These New Puritans | 3/2/2010 | See Source »

...Part of this longing has to do with the sense of a missed moment: failing to generate a coherent intellectual program, the spontaneous activism of the American Left eventually dissolved into stagflation and Vietnam. In Latin America, a similar trajectory was under way, as the 70s transformed student-movements?? revolutionary energies into Pinochet’s military rule and Castro’s communism. The question for many artists at the time thus became how to probe the breach between the rich creative promise of the period and what it had actually become...

Author: By Jessica A. Sequeira, CRIMSON STAFF WRITER | Title: Cortázar’s Playful Magnum Opus | 9/4/2009 | See Source »

Each artist alternated between relatively slow movements??centered on the dancer’s upper body, facial expressions, and graceful hand motions—and fierce, explosive sequences that involved extremely complicated footwork, chest slaps, and fiery heel strikes, As a performer whirled, she received shouts of encouragement—“olé!” and “huzzah!” from her fellow artists, especially when preparing for a particularly difficult and exhausting section of the piece...

Author: By Adrienne Y. Lee | Title: A Night of Flamenco | 7/31/2009 | See Source »

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