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Word: movements (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...bare stage is the birthplace of a dancer’s art—a space where emptiness is the presence preceding emergence, the incubator for stories narrated through movement. On a particular Thursday night, seven members of the Harvard Ballet Company mill about the Loeb Mainstage; with a few preparatory jumps, they gauge the pliancy of the marley floor before beginning rehearsal of a piece from the Company’s latest production, “Momentum...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

Turning his back to five hundred empty seats that will be filled this time next week, choreographer David F. “Ricky” Kuperman ’11 calls out instructions as the dancers mark individual movements and walk through formations. When Kuperman requests a full-out execution of a few eight-counts, the dancers unveil a spectacular range of movement, collectively brushing through a front “attitude” position into a stag leap and “chasse” effortlessly into two diagonal lines...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

...piece for an hour; Elizabeth C. Walker ‘11—one of the show’s directors and a performer—has a “cabriole” injected into her step sequence to smooth out a transition, while standardizing arm movements are added to an ensemble segment. Kuperman stops Kevin Shee ’11 to give him a pointer on the artistic delivery of his solo entrance: “This needs to be so grounded—like a mummy coming to life. Everything starts in the core of the body...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

...were looking for [someone with] an interdisciplinary, forward-looking approach to dance, and Josie was really the perfect person,” Walker says. Walsh’s piece promises an extravaganza of movement that combines the daring technique of a Cirque de Soleil production, the throbbing musical energy of a rock concert, and the exhilarating drive of a hip-hop battle...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

...audience to catch on, but I [still] think it’s refreshing to have a story,” the Psychology concentrator continues, expressing hope that the combination of his choreography, complex lighting effects, set design, and use of props will help the audience bridge the gap between movement and its underlying chronicle...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

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