Word: movers
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...Broad Mover. Domestically, Sadat intends to alter Egypt's economic stance in order to help a population that stands at 36 million and increases by 750,000 more every year. For the past year, he has been both President and Premier, but he is now ready to relinquish the premiership as part of a broad move to a peacetime economy. His aim is to temper Arab socialism with more Western-style free enterprise...
...song selection follows their tried and true formula. Loggins contributes a mover, "Didn't I Know You When," and a soft solo love song, simply entitled "A Love Song." Danny Loggins, his non-performing brother who was the subject of "Danny's Song," offers another standout tune, "Sailin' the Wind." Messina tempers all the breezy music with his own brand of melancholy rock in "Travelin' Blues," "You Need a Man" and "Pathway to Glory." They combine for a pair of fun songs in their "Your Momma Don't Dance" mold, "My Music" and "Watching the River...
...night before with Hilda. Hilda herself had been carefully selected; she would let him put his hand on her shoulder, but would resist every time he tried to move it down to her breast. She was just enough of a prude to let Reid show everyone else what a mover he was without ever having to actually do anything to (with?) her. Later, Hilda told Reid that she couldn't let him go very far because he seemed to be interested only in her body. Of course, nothing could have bored Reid more. But in a sense, she was right...
...prime mover in the play is the Duke, who after many years of lax rule turns over the reins to his deputy Angelo. But those who equate the Duke with the Christian God are surely in error--unless God is scheming, deceitful, mendacious, irresponsible, fallible, and not without a streak of cruelty. The role is a flawed attempt at the kind of semi-divine authority-figure that Shakespeare would eventually limn so wonderfully as Prospero in The Tempest...
TONIGHT FECHTOR will give an hour-and-a-half one-man performance on the Loeb mainstage. The program includes pieces such as Tug of War, Suicide, The Piano Mover, The Kite, The Room and The Creation of the World. ("In my particular version of the creation of the world, I play God," says Fechtor.) Some of the pieces have plots, but Fechtor prefers to stress style. "Technical aspects are more important to me than showmanship aspects," he says. "People who come expecting to compare my show to Marceau's are going to be rather disappointed." Don't let his warning...