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Word: moviedom (lookup in dictionary) (lookup stats)
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...Hollywood's mind. Moviedom's tax-bitten stars thought they had found a sure-or almost sure-way out of their troubles in the high tax brackets. If they struck oil, they could deduct 50% to 75% of the drilling expenses from their income, and later deduct 27½% of their annual gross from the well, as "depletion." Moreover, they could sell the well later and pay only a long-term capital gains (25%) tax on the profit. If the well was dry, they could write off the whole cost as a loss, thus cut down taxable income...

Author: /time Magazine | Title: OIL: The Hollywood Wildcats | 10/10/1949 | See Source »

Raymond Walburn and Mary Wickes, moviedom Sad Sacks, in company with Jed Prouty and Robert Chisholm, turn in top character jobs all good for the expectable number of laughs. "Don't Be a Woman if You Can" is first-rate patter and "There's No Holding Me" likeable ballad. But there's no getting around something stale--you've heard it before, you've seen it before, and it isn't good enough this time to make you think you haven...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 9/24/1946 | See Source »

There can be nothing but praise for the directors of this picture. When human tragedy and the profound transformation of total war which is wrought upon an entire nation can be interpreted so accurately and humanly as in "Mrs. Miniver," moviedom can well afford to pat itself on the back...

Author: NO WRITER ATTRIBUTED | Title: MOVIEGOER | 8/10/1942 | See Source »

...Devil and Daniel Webster" won the Saturday Evening Post short story contest a couple of years ago. Now the whimsical story of Faust in New Hampshire has been made into a movie. "All That Money Can Buy" seems well on its way to winning an equally conspicuous niche in moviedom's hall of fame...

Author: By J. H. K., | Title: THE MOVIEGOER | 2/7/1942 | See Source »

...best Walter Wanger tradition, "The Long Voyage Home" opens new prospects to moviedom. It carries the technique of suspense beyond the stage of "Foreign Correspondent." Hitchcock's suspense is inherently melodramatic, whereas John Ford's is self-contained atmosphere, bovering over a plot of merely secondary importance. The subject of "The Long Voyage Home" is mainly an impression, a dismal portrait of futility...

Author: NO WRITER ATTRIBUTED | Title: THE MOVIEGOER | 11/4/1940 | See Source »

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