Word: moving
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Dates: during 1990-1999
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...years ago, Miramax made the brilliantly subversive decision to release Scream on Dec. 12. While analysts proclaimed the move "ignorant," good ol' Harvey Weinstein knew exactly what he was doing. Good cheer at Christmas masks the craving for blood, guts and sex-anything, anything to get us away from the umpteenth group singing of "Silent Night." Scream rocked the box office and Scream 2 opened in the same slot the next year to $39 million. Should have been a trend-o-rama, right? Nope. We're back to "Good for You" fare. Just look at this year's slate...
There is something different about an Oscar-worthy movie. It is larger than life, it has grand themes on love and life, it is supposed to inspire, thrill, move. In short, it is Dances With Wolves grand, it is Saving Private Ryan intense, it is The English Patient complex. Director Norman Jewison's (Moonstruck, Agnes of God) latest offering, The Hurricane, aspires to be an Oscar movie. It is lush, it is serious and boy does it try to stuff itself full with Oscar-worthy themes...
...really goes out of his way) a black boy out of all the black boys that are in his jurisdiction. Nor are we ever told the process by which the three Canadians (John Hannah, Deborah Unger, Live Schreiber) suddenly become best friends with Carter and decide to move to New Jersey (!) to fight for his release. And because so much of the movie centers round Carter and Carter alone, the other characters are left curiously two-dimensional, with no real reason for the audience to relate to them, and it's hard especially not to moan the unused talent...
Bolstering a weak Northeastern frontcourt is freshman standout Toby Brittian, who took over sophomore Jean Bain's starting spot in mid-season. The move has proved beneficial for both players. Brittian, who had been averaging 1.8 points and 0.5 rebounds coming off the bench, has averaged 14.5 points per game since taking over the starting position...
...film's most distracting element, Jewel, playing the sweet widow Sue Lee Shelley, appears later in the film when Roedel, Chiles, and Holt move to a dugout to wait away the winter. Jewel is surprisingly good at engaging in dialogue, yet she visibly shies away from the camera when she finishes her lines. Lee quickly establishes a romantic relationship between Shelley and Chiles, who sires a child before dying in a federal raid on the dugout. Chiles death scene is sickeningly melodramatic as Roedel and Holt first attempt to amputate Chiles' diseased arm, only to realize that Chiles' death...