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...festival invited various interpretations of what it means to look back and move forward. This year, BAF began with a panel discussion about Black Art featuring renowned poet and writer Amiri Baraka, one of the central figures in the Black Arts movement in Harlem during the 1960s. The panel also featured two perspectives from a younger generation—spoken word artist Joshua Bennett and scholar Cameron Leader-Picone, a fellow at Harvard’s W.E.B. Du Bois Institute. In defining Black Art, Baraka spoke of his experiences growing up in a segregated society and took an explicitly political...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Festival Celebrates Diversity | 3/9/2010 | See Source »

What follows is a predictable love triangle in which Fielding’s protégé slowly grows closer with Fielding’s girlfriend. But to move us along without waiting for such inconveniences as “character development,” the script decides to just drastically rewrite the personalities of the main cast...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: The Good Guy | 3/9/2010 | See Source »

...every single second of their screen-time, and so naturally she gravitates towards the only other male character in the story. Oh, and in case it’s not abundantly obvious, all-American Tommy is not what he seems either. At one point, in a particularly egregious move, the film even has him lie to the audience in narration, just so they don’t catch on. Really...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: The Good Guy | 3/9/2010 | See Source »

...upperclassman housing, Currier boasts the 10-(wo)man, several solariums (complete with balconies that wrap around the house and provide a view of the Boston skyline), and several suite concoctions. And don’t worry about lugging your bags up nine flights of stairs when you move in: Currier has elevators. Props for being post-bellum...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: The Housing Market Reviews: Currier House | 3/9/2010 | See Source »

...slow burn of “Summer Babe [Winter Version],” the Stone Temple Pilots jokes in twangy road jam “Range Life,” or the eerie, escalating guitar solos in “Grounded.” But once Malkmus and co. move past the singles into less obvious selections, they prove misguided, opting to include things like their jokey tribute to R.E.M. (“Unseen Power of the Picket Fence”) in place of the many solid rarities that pepper their reissues. In light of their outstanding original releases, generous...

Author: By Jessica R. Henderson, CRIMSON STAFF WRITER | Title: Pavement | 3/9/2010 | See Source »

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