Word: mozartã
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...viewers—ranging from squirmy, eager five-year olds to their grandparents.In his quest to demonstrate music as “telling a story with no words, just notes,” Kapilow spends the first half of the 1-hour performance explaining the intricate mechanics behind Mozart??s “Eine kleine Nachtmusik.” Asking the audience to clap the rhythm and sing the tune with a series of “bum” and “bo-da-ga-bum,” Kapilow helps the audience become more familiar...
...show was an attempt to talk about music in an extremely non-technical way and to change the way Americans listened.THC: You are bringing “Green Eggs and Hamadeus,” a musical that pairs Dr. Seuss’ timeless children’s book with Mozart??s delightful “Eine Kleine Nachtmusik.” What did you find compelling about Dr. Seuss’ book and about Mozart that inspired you to combine the two into a musical? RK: The idea of writing this opera for children grew...
...relaxed interpretation of these operatic traditions, Saturday’s opening night performance was entertaining and carefully composed, successfully bringing the high art of opera to the Dunster dining hall.For its 15th anniversary, the DHO returned to “Così fan Tutte,” Wolfgang Amadeus Mozart??s and Lorenzo da Ponte’s 1790 tale of female infidelity and mistaken identity. While the opening Friday evening performance was cancelled at the last minute, leaving me with visions of directorial anguish, half-assembled sets, and missed cues, my fears were misplaced. Producers Lucy...
...relaxed interpretation of these operatic traditions, Saturday’s opening night performance was entertaining and carefully composed, successfully bringing the high art of opera to the Dunster dining hall.For its 15th anniversary, the DHO returned to “Così fan Tutte,” Wolfgang Amadeus Mozart??s and Lorenzo da Ponte’s 1790 tale of female infidelity and mistaken identity. While the opening Friday evening performance was cancelled at the last minute, leaving me with visions of directorial anguish, half-assembled sets, and missed cues, my fears were misplaced. Producers Lucy...
...than producing. It is more daunting but more interesting—you have more agency over the show and can really say what you want to say: you have so much control over the design scheme, the movement, and the costuming. For example, Spellberg opted to stage Mozart??s “Cosi Fan Tutte” in an English country house during the 1920s rather than the original 18th century Italy. The show makes use of gramophones and cameras to make the production authentically anachronistic. Spellberg: It’s a darkly funny show and lends itself...