Word: mozart
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Dates: during 1930-1939
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...doors. What drew this throng was no thunder-rousing maestro or pudding-fed diva, but a pair of pale, genteel young men who plunked softly on 18th-Century-model harpsichords. Before a silver backdrop, gently lit by amber lights, they joined in deft pluck-a-pluck duets by Mozart and Bach. Occasionally they were joined by two lush lady harpsichordists in 18th-Century lace and velveteen. To all this harpsichordery their audience listened reverently, applauded with loud smacks. For they were listening to the No. 1 harpsichord team of the U. S.: Chicago's famed Philip Manuel and Gavin...
Before its Harlem junket, last week's congress had its fill of erudition. The musicologists, whose line is musical research as opposed to musical performance, heard such typical papers as The So-Called Babylonian Notation, Mozart's Handwriting and the Creative Process, The Evolution of Javanese Tone-Systems. Delegates from France and Germany were kept away by the war, and the musicologists soberly discussed probable hindrance of their work elsewhere, applauded a message from French Novelist-Musician Romain Rolland: "In the field of art, there is not . . . any rivalry among nations. The only combat worthy...
...Mozart: Quartet in G Major, K. 387 (Roth Quartet; Columbia: 6 sides). One of Mozart's finest, given a carefully-tooled performance at Columbia's Manhattan studio...
...under the patronage of art-loving, fun-loving King Gustavus III. When the King was murdered. Bellman lost his last job, was put in debtors' prison, got out just in time for a last party before he died. Bellman played the lute, consciously or unconsciously drew upon Bach, Mozart, Scarlatti for melodies. He seldom wrote a song down, let his friends transcribe, collect and publish part of his output. The "Last of the Troubadours" sang of tavern life, of trips to the country, of a ludicrous funeral procession, of his friends Movitz the painter, Mollberg the soldier, Ulla Winblad...
...Mozart: Trios in E Major and C Major (Kurt Appelbaum, piano, Roman Totenberg, violin, Fritz Magg, cello; Musicraft 8 sides). Both first recordings, limpidly played; the second, one of Mozart's finest...