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Word: mozart (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Complete Mozart Edition, an unprecedented (and somewhat futile) recording project undertaken by Phillips to present every note the composer penned (even as musicologists discover new ones, each less significant than the previous), still clutters the shelves. Similar ventures by other recording companies add to the heap of re-releases (at last count, the Sony classical catalogue included no less than three different box sets of Mozart re-issues). As the year's hangover subsides, a disquieting question seems inescapable" can we still take Mozart's music seriously...

Author: By John D. Shepherd, | Title: After the Party: Mozart Revisited, Man and Music | 4/9/1992 | See Source »

...initial signs seem promising. Period-instrument ensembles, whose preoccupations often serve as an index of the most exciting and ground-breaking activity in classical music interpretation, are forging ahead in their revision of the Mozart canon. As the Mozart bicentenary wheezed to a close, John Eliot Gardiner embarked on a project to record all of the operas; his first release, Idomeneo, has solidified Mozart's claims to mastery of opera seria as well as opera buffa...

Author: By John D. Shepherd, | Title: After the Party: Mozart Revisited, Man and Music | 4/9/1992 | See Source »

...January, Christopher Hogwood offered a concert performance, with the Handel and Haydn Society, of Mozart's second and last effort in the serious vein, La Clemenza di Tito. The renewal of these two pieces, which circumscribe Mozart's years of maturity and his best musical output, has been the major revelation in the months after the festivities anticlimaxed with innumerable performances of the Requiem last November...

Author: By John D. Shepherd, | Title: After the Party: Mozart Revisited, Man and Music | 4/9/1992 | See Source »

...image it set out to falsify: the delicate porcelain infant seated at a porcelain keyboard. But as the child prodigy gives way to the giggling imp, the relationship between the reprehensible or at least unremarkable man and his great music becomes paradoxical. And, ironically, the popular conception of Mozart has been shaped by a film in which the composer is a supporting actor...

Author: By John D. Shepherd, | Title: After the Party: Mozart Revisited, Man and Music | 4/9/1992 | See Source »

...Mozart of the public consciousness is now an absent author, a passive mouthpiece for, according to Salieri in the film, "the voice of God." But in a world without God, whose voice is it that we hear in Mozart's music...

Author: By John D. Shepherd, | Title: After the Party: Mozart Revisited, Man and Music | 4/9/1992 | See Source »

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