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Word: mozarteans (lookup in dictionary) (lookup stats)
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...activity gets more feverish. Vienna, in fact, has had to organize a central Mozart Festival Bureau, as a kind of musical traffic cop. Movie men are dreaming up a biographical film, while elsewhere, scholars are toiling at a new, complete edition of the master's music. Mightiest of Mozartean memorials is a project to record the bulk of all his compositions. It is being undertaken by Holland's giant Philips Phonographic Industries (U.S. outlets: the Epic and Columbia labels...

Author: /time Magazine | Title: Music: Rough Year for Mozart | 9/5/1955 | See Source »

Mozart's Due in B-flat is numbered 424 in the Kocchel catalog, but it sounds much carlier. Mozartean good spirits are here in abundance, but the work lacks a melodic and rhythmic inventiveness. Mr. Fuchs and his less famous but thoroughly accomplished sister reached the heart of the music from the very start. They played with precision, but not of the machine-gun variety. Every phrase received individual treatment, according to what preceded and proceeded it, as well as to its own unique factors. In addition to being consistent with the music, the two interpretations were consistent with each...

Author: By Lawrence R. Casler, | Title: John and Lillian Fuchs | 3/8/1954 | See Source »

Composer Foss hoped his opera had "the air of Mozartean opera buffa." Bright, inventive and folk-tuny, his score had a good deal of the air of Calaveras County as well as a Mozartean pace...

Author: /time Magazine | Title: Music: Jumpin' Opera | 6/19/1950 | See Source »

...conducting. the orchestra, though not enormous made Mozart's superb instrumental passages stand out Sunday as they seldom do, with the winds particularly good; and the entire opera was done with real spirit and good humor. "Don Giovanni" and "Idomenco" are next on the list in this Mozartean year; Mr. Goldovsky's treatment of their more difficult problems is awaited with interest and confidence. J.A.L

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 11/12/1947 | See Source »

...musical excellence of Goldovsky's effort also suffered somewhat from the mediocrity of several of his singers. Robert Gay and Francis Barnard in the leading male roles of the Count and Figaro, respectively, lacked both the force and training essential to good Mozartean baritones. Luigi Vellucci, however, surprised with superb performances in two roles, the comic ones of Basilio and Curzio...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 11/25/1946 | See Source »

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