Search Details

Word: mozartian (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...separate them and to stifle their career plans, but who are finally vanquished by good fortune--a reunion acene brings the lovers back together again for the happy ending. Or during the opera parody, the music might structure itself around a Puccini-type love duet and a Mozartian recitative, accompanying the Romeo and Juliet-type plot formula that stands behind an avalanche of imitative narrative detail...

Author: By James Ulmer, | Title: Like King Tut, Only Alive | 2/13/1975 | See Source »

...sacred to Aphrodite. It was from this delectable abode of profane love that the 18th century painters of the féte champétre drew their inspiration. Rubens' outdoor courts of pagan love became Watteau's exquisite assemblies of lovers and Pierrots, at dusk, beside the Mozartian stone statue. This vision of a society of the elect united by love (which is equally the root of the paradise myth) continued through Watteau's colleagues and imitators, Fragonard, Jean-Baptiste Pater - in The Dance (circa 1730) - Nicolas Lancret and the rest. Nor was it altogether lost with...

Author: /time Magazine | Title: Art: Rubens, the Grand Inseminator | 2/10/1975 | See Source »

...never able (or, for that matter, inclined) to raise his art to that Mozartian pitch of psychological tension at which Watteau's lovers and courtiers exist. Boucher, unlike Watteau, had no vision of a fragile society whose pleasures, no matter how refined, are menaced by time. Boucher painted pleasure as though it were a perpetual state, coquetry without end, threatened by neither satiety nor boredom. The elements that constitute his afternoon kingdom take on a preternatural luxury as objects; the sky, swarming with clouds of putti and looping swags of fabric, itself acquires the crisp sheen of taffeta...

Author: /time Magazine | Title: Art: Pink Is for Girls | 1/7/1974 | See Source »

Walter Gieseking: Mozart's Complete Music for Piano Solo (11 disks, 3 volumes; $32.78; Seraphim). Gieseking's Mozartian style has slid out of fashion somewhat since these recordings were made in the early 1950s; nowadays he is considered just a bit slick and overrefined. But concert pianists, more conscious of quality than fashion, still justly envy the high gloss and exquisite workmanship of Gieseking. Seraphim's low price and lucid reproduction of the mono-only sound make the release a prize for the economy-minded...

Author: /time Magazine | Title: Music: The Convenient Omnibus | 3/30/1970 | See Source »

| 1 | 2 | 3 | 4 | 5 | 6 | 7 | Next