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After two consecutive years of performing the standard Mozartian fare, the Dunster House Opera Society is about to strut new feathers with Igor Stravinsky’s underperformed, yet influential, neoclassical opera “The Rake’s Progress.” It is DHO policy to alternate between more classical productions and either contemporary or lesser-known work every few years; however, co-producer Clara H. Kim ’09 said that the cast and crew confronted various challenges while staging this modern piece, which conforms to the Mozart model in its organizational structure but strays...

Author: By Eunice Y. Kim, CRIMSON STAFF WRITER | Title: Clever Quips and Melodies in 'Rake's Progress' | 2/5/2009 | See Source »

Well, that's a very interesting point, I mean, the expectations are different. But on the other hand, there is the Mozartian opera which people love - and rightly so - but for its delightfulness. That isn't threatening really, even in the Madame Butterfly...

Author: /time Magazine | Title: David Cronenberg Tries Opera | 9/4/2008 | See Source »

...listen to. I come home from a screening, weary and faboobled, pop a Mozart recording in the machine - you really must get Murray Perahia's boxed set of all the piano concertos and enter into bliss. I don't know a thing about music and don't understand my Mozartian passion, but the other night I decided to see as well as hear his sublimities, and so decided to play the DVD of a film called In Search of Mozart, which someone had sent me and which goes into very limited theatrical release Friday...

Author: /time Magazine | Title: The Guilty Pleasures of Bug and Mozart | 5/18/2007 | See Source »

Shades of Frank Sinatra. The opening paragraph of your article sounded like the 1940s accounts of Sinatra's appearance at the Paramount Theater in New York City, when he was mobbed by bobby-soxers. I don't know about Martin's music (I'm a Mozartian), but it's nice for a change to see a pop singer who doesn't look as if he came out of a garbage dump. Good luck to him! RAY DAMSKEY Calistoga, Calif...

Author: /time Magazine | Title: Letters: Jun. 14, 1999 | 6/14/1999 | See Source »

...superbly. The symphony was named after Mozart's childhood friend Sigmund Haffner, to celebrate his elevation to the nobility. Appropriately, the first movement is full of pomp and flair, with dramatic octave leaps and running scales. The Andante is warm and almost romantic in style, though filled with unmistakable Mozartian phrases. The Minuet juxtaposes an energetic main section with a flowing, graceful Trio. But especially impressive is the Finale, which the orchestra pulled off with the faultless precision and excellent dynamic range that is required for the movement. It has a grand, triumphant style that seems to signify a victory...

Author: By Felicia Wu, CONTRIBUTING WRITER | Title: Harvard's Pianist Proves Playful Virtuoso | 12/5/1997 | See Source »

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