Word: mozartism
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Dates: during 1960-1969
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Certain composers such as Mozart, Beethoven, Brahms, and Dvorak possess an unerring inner discrimination for the wind timbres and persuasion, while many other composers simply pay obligatory homage to the noisemakers with passages of stark, inhumane cacophony for the brass, or limpid, precious colorings for the woodwind. With such works as Soldat, Octet, Dumbarton Oaks, and Symphonies of Wind Instruments, Stravinsky is definitely a member of the former group. L'Histoire du Soldat (1918), a suite of elegant miniatures for seven players, was given a generally excellent reading under the direction of student conductor David Archibald. Mr. Archibald, although somewhat...
...overturn every entertainment convention-the 'sit here,' the 'look that way,' the 'dance over here,' " explains Cooper. The result is frankly freaky. On one platform, a bearded man lies supine, eyes staring, engrossed in the melange of sound effects and music-ranging from Mozart to the Mothers of Invention-that is pouring through his headphones. On another, a girl guest performs a barefoot ballet, delighting in the swirl of the toga around her legs. Off in a corner, a couple engages in mild petting. Attendants pad back and forth, visiting silently with guests...
Political Activist. Not quite. There is still a lot of Peterson to be heard when Craig's fingers embellish a tender ballad with filigree tinsel. But there is a lot of Mozart in early Beethoven too, and nobody complains much about that. As a pianist, Craig lacks only the maturity that age will bring. And nobody in the music world doubts his ability to get exactly what he wants...
Methodical violin playing, too many moments of imprecise ensemble, and a lack of metrical relaxation, especially in detached quaver figures, severely qualified the final work, Mozart's Symphony No. 29. I think that this was primarily due to simple orchestral fatigue after an especially strenuous program. The Andante, however, was played with considerable feeling. The primary problems of the orchestra in this work and throughout the concert were essentially a lack of stylistic homogeneity within the violin section, insufficient attention to phrasing and a peculiar inability to play a genuine piano. Each of the orchestra's winds performed admirably...
...Mozart's Vesperae was much more exciting and slightly less well-done. The major problem was the grim Carl Orff assault which soprano Donna Newman made on the sacred coloratura aria Laudate Dominum: all the notes were there, too many of them flat, all of them invested with a Donizettian apocalyptic bravura, Mozart may have been only one year away from great operatic achievement in Idomeneo, but at the moment he was still close by the altar. Miss Curtis seemed intimidated by this Salome-like display but still bettered her prosaic performance in the Schutz. The two male soloists sang...