Word: mozarts
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Dates: during 1960-1969
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...cares if Leon Kirchner did not phrase the last movement of the Mozart Eb major piano quartet as if it began on an upbeat? And what if Jaime Laredo did force a bit in the suite from Stravinsky's L'histoire du Soldat? And if the Schoenberg Suite Op. 29 is a little hard to take on first hearing, for petesake go listen to it again...
...purpose of the first half of the program was epater le bourgeois, the thought behind the second must have been to send 'em home happy. This was done effectively by Galimir and company's performance of Mozart's Divertimento No. 7 in D major, K. 205. Scored for violin, viola, 'cello, double bass, two French horns and bassoon, the piece provided a refreshing antidote to the solid-string sound that had preceeded it. The preponderance of instruments with low ranges tended to make the piece a bit bottom heavy, but Galimir played as if trying to make up singlehandedly...
This week the publication of a revised and expanded version of his 1956 book, The Listener's Musical Companion, shows that Haggin, at 66, is as snappish as ever.* "Accepted opinion finds greatness in every note set down on paper by a great composer like Bach or Mozart," he writes. "I hear in some works dull products of a routine exercise of expert craftsmanship. Accepted opinion holds some symphonies and concertos of Brahms to be works of tremendous profundity; I hear in them only the pretension to profundity." Tchaikovsky, Berlioz and Mussorgsky rank higher with Haggin than with most...
...based on the characters' search for each other." The designs simplified rather than complicated his problems of staging. Moore's sets "do not swamp the opera but bring out its tragedy and symbolism," Menotti says. "His sculptures are passionate and compassionate: they seem to be listening to Mozart's music, moving...
...audience seemed undecided whether Moore's stark emblems smacked of outer space or, as one observer said, of "instant Stonehenge," or what. Moore saw it all as "a whole new vision of my work." Perhaps more important, it provided a whole new vision of Mozart's masterpiece, paring away all but the essentials of the drama, freeing the music to soar and reverberate in ominous vistas of eternity...