Word: mozarts
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Dates: during 1960-1969
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...MOZART: THE PIANO QUARTETS (Columbia). "Everyone was bored and yawning," wrote a Viennese society reporter in 1788, describing the winter-long rash of amateur performances of Mozart's new piano quartets by "this and that princess." Now the two quartets are listed among Mozart's finest works and are given pristine performances by Polish Pianist Mieczyslaw Horszowski and the violinist, violist and cellist of the Budapest String Quartet...
...uniquely aided by music. Playwright George Bernard Shaw knew the truth: though the theater could be proved logically to be more real than opera, he wrote, "the facts are just the other way-the superior intensity of musical expression making the opera far more real than the play." In Mozart's Don Giovanni, probably the greatest opera ever written, the Don, to judge from the text alone, could be just a playboy or an obsessive lecher. What gives him nobility and heroism, what defines him as not simply a lecher but a rebel against God, is Mozart...
ROSSINI OVERTURES (Deutsche Grammophon). These brief episodes are gems that rank with the wisest and wittiest works of Mozart. In them Rossini displays a full range of musical motifs, from somber reveries to brilliant marches with a Pied Piper fascination. Tullio Serafin conducts the Rome Opera Orchestra with elegance and exuberance...
...London Times was typical: "This great ballet company, so sadly misunderstood when it came in 1950 and 1952, was now appreciated for its true, priceless worth. This is one of the noblest classic ballet companies of all time . . . The range of Balanchine is fantastic." He is the "unending, unflagging Mozart among choreographers." When the reviews appeared, the tickets were snapped up in a box-office crush that has meant S.R.O. audiences ever since...
...turned to another opera house. For New York's new Metropolitan at the Lincoln Center, he is designing more than 75 costumes and 13 sets for its forthcoming production of Mozart's The Magic Flute. And when the Met opens in 1966, its facade will boast a brace of 30-ft. by 35-ft. murals, swarming with the turbulent will-o'-the-wisps of his own endless fantasy. From their vantage on the Met's grand tier, the over-two-story-high murals will glow through the glassed vaults to dominate a city vista more spacious...