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Word: mozarts (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...Truly Mozart...

Author: /time Magazine | Title: Letters: Sep. 26, 1983 | 9/26/1983 | See Source »

...technique sounds simple, but it took Turner 15 years to perfect. "A friend of mine gave me a piece by Mozart for glass and it intrigued me," he explained. He began by playing chord accompaniments, and progressed to solo performances about six years...

Author: NO WRITER ATTRIBUTED | Title: Playing A Dishwasher Full of Sound | 9/20/1983 | See Source »

...origins of the movement extend back to Mendelssohn's historic revival of J.S. Bach in 1829. Even so, throughout the last century Bach was known primarily to the most sophisticated musicians, and only a handful of Mozart's myriad works were regularly performed. With composers like Schumann, Brahms and Wagner churning out masterwork after masterwork, there was little need to revive the past. But as the musical repertory gradually evolved into a monument to the 19th century, inquiring performers began to look backward. Arnold Dolmetsch (1858-1940), an English musician and instrumentmaker, rediscovered the nearly forgotten world...

Author: /time Magazine | Title: Music: Letting Mozart Be Mozart | 9/5/1983 | See Source »

Today's original-instrument performers are Landowska's heirs. Once considered the last refuge of a poor musician, authentic instruments now attract performers of international caliber: Dutch Violinist Jaap Schroder, who collaborated with Hogwood on the Mozart symphony series, the English Concert's Pinnock, a top-notch harpsichordist whose reading of Bach's Goldberg Variations is perhaps the most convincing on discs; American Pianist Malcolm Bilson, one of the leading exponents of classical keyboard music, which he plays on the fortepiano, a predecessor of the modern instrument. "Everybody understands that there must be different sopranos...

Author: /time Magazine | Title: Music: Letting Mozart Be Mozart | 9/5/1983 | See Source »

...time soon to trade in their modern instruments for softer-toned period pieces, which cannot project well in large concert halls. "Every great artist in the world plays on modern instruments. Name one who uses authentic instruments," challenges Gerard Schwarz, music adviser to New York's Mostly Mozart Festival, which uses conventional instruments. Neville Marriner, for years conductor of London's Academy of St. Martin-in-the-Fields, also criticizes the authenticity movement. "Music played on the instruments composers would have known is very popular with the open-toed-sandals-and-brown-bread set," cracks Marriner...

Author: /time Magazine | Title: Music: Letting Mozart Be Mozart | 9/5/1983 | See Source »

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