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Hogwood said that Mozart's elevation to the status of cultural hero has hampered attempts to study the composer and his music from a critical perspective. Hogwood also maintained that the recent conception of Mozart as a universal genius has dominated earlier evaluations of the composer...

Author: By John D. Shepherd, | Title: Conductor Discusses Mozart | 2/20/1992 | See Source »

Modern listeners should question whether "Mozart was the best at absolutely everything," Hogwood said...

Author: By John D. Shepherd, | Title: Conductor Discusses Mozart | 2/20/1992 | See Source »

Hogwood said he played excerpts from several well-known Mozart compositions in order to teach the audience how to think about modern deviations in instrument construction, performance technique and social context of musical performance...

Author: By John D. Shepherd, | Title: Conductor Discusses Mozart | 2/20/1992 | See Source »

...things that we take for granted in Mozart were in fact different in his day," Hogwood said...

Author: By John D. Shepherd, | Title: Conductor Discusses Mozart | 2/20/1992 | See Source »

According to Hogwood, the one bright spot in last year's festivities was the public scrutiny of the composition Mozart's Requiem, which he left unfinished at his death November 7, 1791. Hogwood said the inquiry involved general listeners in "specialist concerns," including attempts to complete and reconstruct the requiem...

Author: By John D. Shepherd, | Title: Conductor Discusses Mozart | 2/20/1992 | See Source »

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