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Boston Symphony--Yurl Temirkanov, conductor; Vladimir Spivakov, violin; works of Prokofiev, Mozart and Shosiakovich; Symphony Hall...

Author: NO WRITER ATTRIBUTED | Title: Jan. 10-Jan. 16 | 1/10/1980 | See Source »

...Arts Chamber Orches ra--Joseph Silverstein, violin; works of Vivaldi, Prokofiev, Mozart and McGah; Sanders Theater...

Author: NO WRITER ATTRIBUTED | Title: Jan. 10-Jan. 16 | 1/10/1980 | See Source »

Would Shakespeare have approved of Olivier's Hamlet! Would Mozart have liked Joseph Losey's film version of Don Giovanni? Who knows? Who cares...

Author: /time Magazine | Title: Letters, Dec. 17, 1979 | 12/17/1979 | See Source »

...violin while he glances woefully at the case at his feet, a felt-covered basin for six quarters, nine dimes and a tribe of pennies. "C'mon folks, if you give a little more, I won't play so badly. I teach at Julliard, really. Here's a little Mozart for you." He stops after four measures, scratches at his cap and uses the bow as a pointer to count the coins in the case. "Thanks folks. More." Outside the glass door, all the limos have gone home...

Author: By David Frankel, | Title: At Loose Ends? Get Out | 12/12/1979 | See Source »

...text--he sees Don Giovanni as the consummate self-indulgent aristocrat. There's nothing wrong with coloring the opera this way, but Raimondi and Losey paint over and obliterate the other half of Don Giovanni's character, the youthful embodiment of unbounded energy who mesmerized the romantics. They do Mozart and Da Ponte an injustice by simplifying the libretto's psychological tangle to a black-and-white social dialetic. Figaro would have better served such an intent...

Author: By Scott A. Rosenberg, | Title: Donning the Screen | 11/28/1979 | See Source »

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