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...composer's wife (one of the best pianists of her day), this concerto is at once exciting and poignant. It is also a sample of Schumann's style of piano composition at its finest. Rounding out the concert are Respighi's "Ancient Airs and Dances" Suite No. 1 and Mozart's Symphony No. 38, "Prague." The concert is in Sanders Theatre at 8:30 p.m. and tickets are available at Holyoke Center Ticket Office or at the door. Call 495-2663 for more information...

Author: By Richard Kreindler, | Title: Rachmaninoff, With Tusks | 10/12/1978 | See Source »

Also on the B.U. calendar, the Boston Symphony Orchestra Woodwind Quintet plays works by Michael Haydn, Poulenc, Beethoven and Francaix on Monday at 8 at B.U. School for the Arts, 855 Comm. Ave., but you might find a faculty recital of works for piano four-hands by Schubert, Hindemith, Mozart, Dvorak and Schumann even more intriguing. Warren Wilson and Shann Jacobsen-Wood will be the performers on Wednesday at 8, also at B.U. School for the Arts...

Author: By Richard Kreindler, | Title: Rachmaninoff, With Tusks | 10/12/1978 | See Source »

...Mozart's "Die Zauberflote" on film--Loeb...

Author: NO WRITER ATTRIBUTED | Title: The Weekly What Listings Calendar: Sept. 28-Oct. 4 | 9/28/1978 | See Source »

...Waart, 37. Following Ozawa in San Francisco has not been easy for De Waart. Ozawa is a spellbinder and a colorist. De Waart, who will continue with the Rotterdam Philharmonic another year, is a solid, serious musician. He programs lots of the classics, Mozart and Haydn, but also likes such modernists as Berg and Bartok. "None of the young conductors has a wide repertory, but De Waart is anxious to learn and that separates him from the rest," says Milton Salkind, president of the San Francisco Conservatory of Music. De Waart is not worried: "Herbert von Karajan once said...

Author: /time Magazine | Title: Music: Musical Chairs for the Maestros | 9/11/1978 | See Source »

...London's Academy of St. Martin-in-the-Fields chamber orchestra, has "charm and wit and intellect," says one London observer. His 200 recordings, many of Baroque music, have pleasingly brisk tempi and a gay, intimate sound. As music director, Marriner will bring his favorite Haydn and Mozart to Minnesota; his weakness may well be that specialized repertoire. But, says he, "if you want to have any impact as musical director, then you must take along the repertoire for which you were hired...

Author: /time Magazine | Title: Music: Musical Chairs for the Maestros | 9/11/1978 | See Source »

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