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...paint, the nearer you get to something. You must do as many as possible." This obsessed machismo resembles nothing so much as a displacement of sex into art: the furious production of Picasso's old age is an exact pictorial counterpart to the catalogue of seductions by Mozart's Don Giovanni, whose promiscuity was a shield against death...

Author: /time Magazine | Title: Art: Anatomy of a Minotaur | 11/1/1971 | See Source »

...Alex through a shower curtain; postured bit-playing by effete types at Hirsh's house. For the most part, however, Schlesinger has not overpowered his script, but served it. With the aid of Peter Finch (Daniel), Glenda Jackson (Alex), and despite the too-callow Murray Head's Bob; with Mozart arias on the soundtrack which give musical dimension to the trio's cultural separateness; and with graceful camera plotting which tie the characters to the shape of their environment, be it park or townhouse. Schlesinger serves Miss Gilliatt inspiredly well...

Author: By Michael Sragow, | Title: Living On Half A Loaf | 10/13/1971 | See Source »

With President Nixon in attendance, Conductor Antal Dorati and the National Symphony Orchestra went through a program of Beethoven, Mozart, Stravinsky and William Schuman that filled the center's concert hall with rich, vibrant and joyously reverberant highs, lows and middles. The opera house's acoustical turn came on Friday, with the premiere of Beatrix Cenci by Argentinian Master Alberto Ginastera. It was produced by the Opera Society of Washington. Brutal and bloody, the work runs a full gamut of orchestral and vocal sound. It proved beyond doubt that the opera house is one of the best-sounding...

Author: /time Magazine | Title: Music: A Mass for Everyone, Maybe | 9/20/1971 | See Source »

...Mozart: Symphonies Nos. 35, 36, 38, 39, 40, 41 (Herbert von Karajan; Berlin Philharmonic; Angel, 3 LPs; $5.98 each). Six testaments to the delectable creations in which Mozart not only prophesied the symphonic era that followed him but very nearly said the last word on the subject. Von Karajan's distinctive blend of rich phrase and richer orchestral sonority customarily works well. But this time he seems surprisingly nonchalant. His drowsy Jupiter, for instance, might better be called Saturn. The best set of these symphonies remains Otto Klemperer's (also on An gel), and- for crisp, detail-laden...

Author: /time Magazine | Title: Music: Records: Summer's Choice | 8/30/1971 | See Source »

Brendel finds more beauty in old works than in contemporary ones. "I play everything from Mozart to Schoenberg," he says. "I'm interested in new music, but I don't think I can play it. Wrong temperament. I admire Chopin; that's one of the reasons I don't play him. He eats up a performer. Schubert is my antidote for Beethoven." Brendel also wants to get into more Haydn. Which leaves only one great ambition. "What I really want," he concludes, eying his profile in a mirror, "is to play the lead in a Frankenstein...

Author: /time Magazine | Title: Music: Elegant Thunderer | 8/23/1971 | See Source »

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