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...name from the old London church where it made its debut a decade ago. With Concertmaster Neville Marriner directing in 18th century style from the first desk, the 16-man ensemble achieves a dramatic precision that would do credit to Toscanini. The three Divertimenti for strings, written when Mozart was 16, are stunning miniatures in Italian rococo symphonic style. The Serenata Notturna, scored for two small orchestras plus timpani, also sparkles with classical elegance...

Author: /time Magazine | Title: Television: Mar. 14, 1969 | 3/14/1969 | See Source »

...wings to perform, it is not with the elegant stride of a Milstein or the open-armed warmth of a Stern. It is with a rapid, open-toed, Chaplinesque shuffle. When Zukofsky plays, his music often consists of a series of brash scrapes, sharp squeaks and galloping glissandos that Mozart, Brahms and Tchaikovsky never dreamed of. Sometimes, it seems that he is a man who cares little for the usual trappings of success...

Author: /time Magazine | Title: Violinists: Amid Scrapes and Squeaks | 3/7/1969 | See Source »

...disputes to a vote. Deciding interpretive questions at rehearsals, they avoided 2-to-2 deadlocks by assigning one player two votes for the music at hand. Roisman could sometimes swing a vote his way, even when in the minority. He would say quietly: "Doesn't Mozart get a vote...

Author: /time Magazine | Title: Chamber Music: Farewell to the Budapest | 1/10/1969 | See Source »

Elfin and Chinese. The Mozart was assigned to Peter Ustinov. Directing a full-length opera for the first time, he tackled The Magic Flute with warnings ringing in his ears. "Some pointed out that it was the most difficult opera of all to stage," said Ustinov. Their point was well taken, since The Magic Flute is a stylistic hodgepodge: there are dazzling coloratura arias, sunny folk songs and slapstick scenes. It is a curious melange, and the fact that it is based on a solemn Masonic morality play only adds to the confusion...

Author: /time Magazine | Title: Opera: Magic and the Globolinks | 1/3/1969 | See Source »

...from the audience when Papageno made his first entrance from the prompter's box. But Heinz Joachim in Die Welt summed up the critics' response: "At long last the Hamburg State Opera has cleaned out both the antiquated conceptions and modern profundity that block the view of Mozart's Magic Flute...

Author: /time Magazine | Title: Opera: Magic and the Globolinks | 1/3/1969 | See Source »

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