Word: mozarts
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...MOZART: PIANO CONCERTOS NOS. 13 AND 17 (Columbia). French Pianist Philippe Entremont, 34, makes his recording debut as conductor in addition to playing the piano solos. There is plenty of precedent for the dual role: Bach at the keyboard, Mozart at the violin, playing and leading simultaneously. Entremont the conductor picked Mozart "because of the relatively small forces involved and the relatively simple rhythms," but it is Entremont the pianist who makes this a masterly record. Set off by the responsive but docile Collegium Musicum of Paris, his special gifts of musical veracity and taste enhance familiar music and make...
BOSTON SYMPHONY CHAMBER PLAYERS (RCA Victor, 4 LPs). The nine players present a well-balanced, impeccably performed concert of Mozart, Brahms, Schubert, Poulenc, Villa-Lobos, Alexei Haieff, and the young American, Michael Colgrass. Having done so, they then upstage themselves by turning the fourth disk of the album over to a delightful discussion of chamber music by Peter Ustinov. "A Walter Mitty as far as music is concerned," Ustinov gives his imitations of a flute ("With my long, pendulous upper lip, I do better without the flute") and bassoon ("a very romantic instrument"). His musical god is Mozart. Noting that...
Even as a youngster in The Bronx, Mel Powell was a brilliantly advanced musician. At least that is the way he remembers it. Of course, his fledgling compositions did not exactly bowl over his piano teacher, who "seemed to prefer Mozart." But it was already clear that Powell was something special. He completed high school at 14, and started a precocious career playing jazz piano. "It turned out," he recalls, with barely a smile of irony, "that I became magnificent...
...group consisted of two violinists, Alexander Schneider and Isadore Cohen, one violist, Samuel Rhodes, and two cellists, Leslie Parnas and Robert Sylvester. They performed the String Quarter in E major, Opus 17, No. 1 by Hayden, Divertimento in E-flat major, K. 563, by Mozart, and Cello Quintet in C major, Opus 163, by Shubert. Of the musicians, the most distinguished was Alexander Schneider, who, with wirey grey-black hair and metal rimmed glasses, sat perched on the edge of his chair, playing with never-failing energy, expression, and accuracy...
...Mozart piece got off to a rather weak start when the cellist's music dropped to the floor. With great aplomb, Schneider leaned down to pick it up, commenting, "Well done." During the first movement, Allegro, certain motifs played by the violinist were to be echoed by the violist, who, in contrast, failed to match the agility and lightness of Schneider's playing. The group did, however, make very effective transitions and tempo changes. Played with apparent quickness and ease, the Menuetto Allegretto had an incomparable dance-like quality. The final Allegro moved well and provided an excellent ending...