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...Others are more blunt. "If the U.S. withdraws, Iran takes over - it is as simple as that," says Dr. Mehdi al-Hafed, a prominent MP from former Prime Minister Iyad Allawi's secular block and one of Iraq's most respected politicians. "The Americans have to ask themselves if such an outcome is acceptable to them...

Author: /time Magazine | Title: How Rumsfeld's Resignation Is Playing in Iraq | 11/9/2006 | See Source »

...fearful that he remains a marked man, forever linked to the horrors of Abu Ghraib - he appears in at least one al-Qaeda propaganda video depicting the abuse - and that he and comrades serving with him in Iraq could become targets for terrorists. To make matters worse, his 23rd MP Company had been selected to train Iraqi police, which have been the target of frequent assassination attempts and, according to U.S. intelligence are heavily infiltrated by insurgents. Attempts to reach Cardona directly were unsuccessful...

Author: /time Magazine | Title: An Abu Ghraib Offender's Return to Iraq Is Stopped | 11/2/2006 | See Source »

Since its inception in 2004, the Minuteman Project (MP), an immigration control operation, has recruited civilians to apprehend illegal immigrants along the Mexican border...

Author: By Christian B. Flow, CONTRIBUTING WRITER | Title: Locals Revolt Against Use of ‘Minuteman’ | 10/26/2006 | See Source »

...stop the action and question it, impudently and irrelevantly, in terms scientific ("Where'd Arthur get his coconuts?") or political ("Who elected Him king?"), before abandoning the sketch altogether. Python skits programmed their own self-destruction; they'd be aborted midway with no punch line in sight. Indeed, MP&HG ends with Arthur and his Knights cantering out of the Dark Ages into modern Britain, where the film sputters brazenly to its close. But a Broadway show moves irrevocably toward cues for applause, either at the end of a scene or for the climax of a song. The crowd...

Author: /time Magazine | Title: Pythonostalgia! | 9/26/2006 | See Source »

...Idle has said that he was encouraged to musicalize MP&HG after seeing Mel Brooks' stage version of The Producers. The was the show that reminded Broadway that its strong suit was musical comedy, and not the dour Les Miz and Phantom and Sondheims and the rest of the sing-song drama lot. In Spamalot, as in The Producers, everything is absolutely spot-on and studiously ingratiating. Idle's show isn't desperate to please, really; rather, it's confident that everything it does will provide pleasure...

Author: /time Magazine | Title: Pythonostalgia! | 9/26/2006 | See Source »

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